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Dancer. Choreographer. Artistic Director. Singer. Healer. Messenger. Educator. Community Servant.
I specialize in the spiritual and cultural tradition of Haitian Folkloric Dance, Haitian Vodou, Dance Instruction, and Dance Ethnography.
DANCE: My meditation.
My truth.
My savior.
Dance is my LIFE.
~Portsha Terae Jefferson
It's time. I'm ready to tell MY story. I've documented my travels to Haiti, beginning with my first trip in 2003 to 2015. I've compiled photos, video, and select journal entries to enhance it all. This personal project has taken a year and five months to complete. My schedule was all over the place, so I set an hour a day to sit and work on it. One things for sure: I have a TON of material! I couldn't use it all, so what's meant to be seen will be shared.
Last year, I was asked by someone to document my Carnival (Kanaval) experience in Haiti with photos and video, to share with my students. I got really into it, and in true Aries fashion, decided to take that request one step further. I asked myself, why not chronicle my entire journey? Not really sure where this project is going. It's really becoming more of a self-reflection, as I will soon celebrate 44 years on this earth, many of those years as a dancer and choreographer. Feeling as though I need to re-invent myself as an artist, so maybe this personal reflection is a part of the process. It's nice to see the growth. It's rewarding to SEE the hard work accomplished, as well as remembering those obstacles and road blocks along the way. This dance journey/artist life is all about the WORK. The good and the bad, cause it ain't always easy.
My trips to Haiti, both research and for personal enjoyment, has shaped me into the person I am today. I have met some truly amazing individuals, and have established cultural legacies, family ties and bonds that will last a lifetime. I am eternally grateful to my ancestors for connecting me to this powerful African Nation.
Last year, I was asked by someone to document my Carnival (Kanaval) experience in Haiti with photos and video, to share with my students. I got really into it, and in true Aries fashion, decided to take that request one step further. I asked myself, why not chronicle my entire journey? Not really sure where this project is going. It's really becoming more of a self-reflection, as I will soon celebrate 44 years on this earth, many of those years as a dancer and choreographer. Feeling as though I need to re-invent myself as an artist, so maybe this personal reflection is a part of the process. It's nice to see the growth. It's rewarding to SEE the hard work accomplished, as well as remembering those obstacles and road blocks along the way. This dance journey/artist life is all about the WORK. The good and the bad, cause it ain't always easy.
My trips to Haiti, both research and for personal enjoyment, has shaped me into the person I am today. I have met some truly amazing individuals, and have established cultural legacies, family ties and bonds that will last a lifetime. I am eternally grateful to my ancestors for connecting me to this powerful African Nation.
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"Every day brings a chance for you to draw in a breath, kick off your shoes, and DANCE."
~Oprah Winfrey
My dance journey began at the tender age of five. My mother enrolled me into The Marsha Woody Dance Academy, in Beaumont, Texas. For seven years, I trained in Ballet, Tap, and Jazz. Although I liked to dance at home, I didn't love the rigid structure of the studio, or the grueling hours required to become a dancer. I was a chunky, thick, brown girl, who would much rather play sports with the boys on the playground. My mother insisted I continue dancing. She said I needed a "foundation." She also said, "You'll thank me later." Reluctantly, I continued, and eventually grew into my body, gained confidence and developed a photographic memory, thanks to the massive amount of choreography I was required to remember.
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There is an article floating around on Facebook entitled "Ballet is [not] the foundation of dance." I agree. Ballet is not the most important style to train in, BUT what ballet gave me was confidence, in addition to great extensions and flexibility, which I am thankful for today. As a young dancer, I took weekly ballet classes, with girls who did not look like me, speak like me, whose hair type and body structure certainly wasn't a reflection of mine. Despite the challenges, I hung in there with the best of them and excelled! I KNEW I was just as talented as the next ballerina on the barre. YOU are the foundation of dance. Your SPIRIT is your base. YOU are the technique. Cross train and learn other genres of dance. It's amazing how they will all "fit" into your body and shine when necessary. |
Dance has always been a part of my life. It saved me throughout those awkward middle and high school years. As an adult, it has been my refuge against the world. Dance is my personal freedom. It is my peace, joy, release, savior, passion, expression and heartbeat.
Dance is LIFE! Dance is UNIVERSAL! Dance is ME!
Before I witnessed Haitian folkloric dance, I heard traditional Haitian drum rhythms on cassette tapes. Field recordings from 1930-1960 + studio recordings with various Vodou groups. Confession: HATED IT! Really. I did. It was unlike ANYTHING I'd ever heard. The rhythms were unfamiliar. The singing gave me a headache. The downbeat? Forget about it. I couldn't feel it at all. As a trained dancer, I was "supposed to know" and simply fall into the rhythm. Frustration quickly set in. Haitian music is very vast and complex. At that time, I didn't understand the language of the drum. It sounded like jumbled noise! I couldn't appreciate the intricacies within the rhythms. I certainly couldn't hear the "conversations" - the African language that is spoken on these sacred, often consecrated drums.
Although I was taking a few modern classes at a local dance studio in Hayward, at that point in my life, I was interested in becoming a social worker. While taking required classes at Laney College, I was told the dance department offered an Afro-Haitian dance class, and that I should check it out. My teacher, Miss Lynn Coles loves to tell the story: I stood at the door of that dance studio for a good year and a half before I FINALLY enrolled in the class! She coaxed me into joining the class for a while, but eventually stopped after two semesters. Although the music didn't initially move my soul, I was still intrigued by the drums and the unfamiliar rhythms. I was attracted to the way they made the dancers move. I was tempted to join, but my feet would not let me in the space. I didn't fight it. I learn best by observation, and was content in doing so. I watched the rhythmic nature between the dancers and drummers, which then opened my ears to the subtle nuances, such as the "kase" or break within the Haitian rhythms. I saw how the drum shifted energy, transformed, and most importantly, communicated with the dancers. I was in awe. My previous notion of Haitian drumming as jumbled noise, gradually changed. I was eventually lured onto the dance floor and participated with the other dancers.
Looking back on my actions, I think I was scared to try a dance genre that was vastly different from my previous training. I was comfortable with what was familiar within my body. I marinate on everything before I take action. I'm often slow and deliberate when making decisions. Standing outside of Miss Lynn's Afro-Haitian class for a year and a half, not only gave me an opportunity to assess the dance environment, it provided an opening into the beautiful world of Haitian dance, in which I eventually became a part of - when the time was right.
Although I was taking a few modern classes at a local dance studio in Hayward, at that point in my life, I was interested in becoming a social worker. While taking required classes at Laney College, I was told the dance department offered an Afro-Haitian dance class, and that I should check it out. My teacher, Miss Lynn Coles loves to tell the story: I stood at the door of that dance studio for a good year and a half before I FINALLY enrolled in the class! She coaxed me into joining the class for a while, but eventually stopped after two semesters. Although the music didn't initially move my soul, I was still intrigued by the drums and the unfamiliar rhythms. I was attracted to the way they made the dancers move. I was tempted to join, but my feet would not let me in the space. I didn't fight it. I learn best by observation, and was content in doing so. I watched the rhythmic nature between the dancers and drummers, which then opened my ears to the subtle nuances, such as the "kase" or break within the Haitian rhythms. I saw how the drum shifted energy, transformed, and most importantly, communicated with the dancers. I was in awe. My previous notion of Haitian drumming as jumbled noise, gradually changed. I was eventually lured onto the dance floor and participated with the other dancers.
Looking back on my actions, I think I was scared to try a dance genre that was vastly different from my previous training. I was comfortable with what was familiar within my body. I marinate on everything before I take action. I'm often slow and deliberate when making decisions. Standing outside of Miss Lynn's Afro-Haitian class for a year and a half, not only gave me an opportunity to assess the dance environment, it provided an opening into the beautiful world of Haitian dance, in which I eventually became a part of - when the time was right.
Metal artwork representing Danbala Wedo
Danbala, men lwa koulèv la, ye!
Danbala, men lwa koulèv la, ba li siwo!
Danbala, here is the snake lwa, yeah!
Danbala here is the snake lwa, give him syrup!
Danbala, men lwa koulèv la, ba li siwo!
Danbala, here is the snake lwa, yeah!
Danbala here is the snake lwa, give him syrup!
Nadia Dieudonne performing a piece for Danbala. Brooklyn, NY. (1996)
August 3,1996 - Brooklyn, NY
She was dressed in a long white skirt that flowed with ease. A white fitted bodysuit accentuated her toned arms. Her head was covered with satin green fabric. The front of her white bodysuit suit was adorned with green sequins, that also made its way onto her skirt. The shiny sequins and iridescent beads formed a giant moving snake. Spine undulations, coupled with fluid, graceful arm movements captivated my attention. With bent knees, she slithered onto the floor, serpentine movement in motion. Nadia Dieudonne embodied the Serpent spirit, Danbala.
I was introduced to Nadia after this particular performance. I was blown away with the professionalism, authenticity, and pure talent of Nadia and Feet of Rhythm Dance Company. Since our first introduction, we have forged a friendship/sisterhood that has lasted 20 years. We are affectionately known as the East Coast/West Coast Poupounettes! Nadia has always been present for me both artistically and emotionally, through the peaks and valleys, and beyond. Over the years I have watched her in admiration as she continues to push her dance career and educational goals to the next level. She is a phenomenal woman, mother, daughter, sister, educator, choreographer, dance extraordinaire, who dances Banda like no other! Much respect, love and light, always. You continue to inspire me!
She was dressed in a long white skirt that flowed with ease. A white fitted bodysuit accentuated her toned arms. Her head was covered with satin green fabric. The front of her white bodysuit suit was adorned with green sequins, that also made its way onto her skirt. The shiny sequins and iridescent beads formed a giant moving snake. Spine undulations, coupled with fluid, graceful arm movements captivated my attention. With bent knees, she slithered onto the floor, serpentine movement in motion. Nadia Dieudonne embodied the Serpent spirit, Danbala.
I was introduced to Nadia after this particular performance. I was blown away with the professionalism, authenticity, and pure talent of Nadia and Feet of Rhythm Dance Company. Since our first introduction, we have forged a friendship/sisterhood that has lasted 20 years. We are affectionately known as the East Coast/West Coast Poupounettes! Nadia has always been present for me both artistically and emotionally, through the peaks and valleys, and beyond. Over the years I have watched her in admiration as she continues to push her dance career and educational goals to the next level. She is a phenomenal woman, mother, daughter, sister, educator, choreographer, dance extraordinaire, who dances Banda like no other! Much respect, love and light, always. You continue to inspire me!
West Indian Parade | Brooklyn (2010)
Laney College (1994-1998)
laney college haitian dance ensemble (1995)
Rara Tou Limen honors Lynn Coles for her contributions within Dunham Technique and Haitian dance. RASANBLE! Haitian Arts & Culture Festival (2013)
The Introduction
A pillar in our community, upholding the Dunham legacy, while teaching Haitian dance at Laney College, for over 30 years.
Lynn Coles was my first Haitian dance and Dunham Technique instructor. Laney College Dance Department had a long, solid history of offering quality and affordable dance classes, with esteemed instructors. After many years of standing in the door way, observing class, I finally enrolled in Dance Production, Ballet, Jazz, African Dance and Afro-Haitian (as it was called then). I couldn't wait to jump in! Miss Lynn's class opened the door to my quest in learning about Katherine Dunham, and peaked my interest in Haiti and Haitian culture. 
miss lynn parading with rara tou limen kanaval group. SF Carnaval (2013)
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miss lynn in haiti. this was her favorite tap tap! (2009)
Miss Lynn goes to Haiti!
Miss Lynn traveled to Haiti with Daniel and I, as part of our first Cultural Exchange Trip in 2009.
As this was our first cultural exchange, we were both excited, scared, and nervous to embark on a project that we once "talked" about. It was now becoming a reality. Nine participants signed up, and were trusting us to show them a different side of Haiti. On top of all of those natural emotions, MY TEACHER was coming we ME to Haiti! Talk about pressure! 
miss lynn hanging with the dancers after a full day of dance (2009)
The trip with the "Original Crew" turned out to be something special. This group of people came to Haiti with an open mind and heart. Searching. Longing. Absorbing all the information that was generously given to them. 
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“You must experience Haiti! The classes are challenging and enjoyable, the food is great and prepared with love. Daniel and Portsha are the best providers and tour guides. Hotel accommodations, ambiance and spirit is "right on.” All you have to do is go. Everything is provided for you. -Lynn Coles 
the "original crew" enjoying a relaxing day at moulin sur mer
Miss Lynn was no exception. She went to Haiti on a mission! As the elder of the group, Daniel and I were particularly fussy about her needs. She nipped that in the bud QUICK! She expressed she didn't want special treatment, nor did she expect to be treated differently from others in the group. I was very impressed with how well she adapted. In dance class, Miss Lynn shocked us all. Thought she was in back of the class? She was front row. Center. In EVERY class, getting her training on. The instructors and students loved her. She even taught our group aquatic exercises, while swimming in the warm, blue waters at Moulin Sur Mer.
It was a beautiful sight to witness. Check out the video below! While in Haiti, the student/teacher dynamic between the two of us drew us closer. Although my teacher, she humbled herself to trust me - her student, to take her to an unknown place that she loved from afar. My respect and admiration grew for Miss Lynn during our two week adventure. I am forever grateful that the opportunity to visit Haiti presented itself to her, and that she took it, without fear. As someone whose taught Haitian dance for years, this trip provided something that was longing and missing within her own artistic growth. She saw Haiti with her own eyes. Although still on faculty at Laney College, the plan was to retire once she returned from Haiti. Those plans quickly changed! She was inspired and ready to share with her students. Thank you Miss Lynn for your unwavering support throughout the years. Your attendance at RTL events, your generous monetary donations to aid our projects, and your willingness to continue to learn is admirable. Supreme gratitude. |
PETIT LA CROIX (1996-2003)
performance with petit la croix
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portsha, candy & michelle dancing petwo
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BB and Portsha rehearsing at Snow Park. Flashmob business!
Blanche Brown has been an illuminating, guiding force in my dance career. I was asked to join her dance company, Group Petit La Croix during a point in my life when I was on a journey of self discovery. At 24, I was a dance fiend! Hungry for it all. I lived and breathed dance. Traveling to and from various studios, taking 4 to 5 classes daily, plus company rehearsals! I remember going to bed from pure exhaustion, but grateful that I was learning, training and developing a strong dance foundation. 
petit la crox performs at third wave
While in PLC, a new world opened. While immersing myself in learning traditional dance and songs from the country, I learned about Haitian history & Vodou, which was powerful and liberating. I learned what it meant to be a part of a "dance family." I was surrounded by black women my "dance aunties," dance veterans, who looked like me, and ushered me in with love. I was afforded many performance opportunities, that strengthened my ability to convey a message on stage. "BB" (Blanche) saw potential and tapped within!
petit la croix performs at the children's discovery museum. kimberly, gloria, cecily, portsha, ursula (1997)
After many years of being in the company, I was utterly shocked and taken aback, when I was asked by BB to sub a Saturday class. I can't really explain what went through my head at that time, but I do know that I didn't want to do it. I was scared. Unsure. It's one thing to dance in a class and follow directions from the instructor, but to actually lead the class? To set the tone? I wasn't ready for THAT type of responsibility. No one tells BB "no", so I reluctantly agreed.
I remember the night before, I sat and planned the entire class. Everything! From the opening welcome, even explaining WHY I was teaching the class, to the warm-up, into the dance progressions across the floor. Had it written out with stick figures! Flashback to the day: My nerves were so shot before class, my memory bank completely shut down. Blank. I couldn't remember a single thing I had prepared. During class I was struggling to remember what I'd planned. This became problematic, because instead of trusting myself and going with the natural flow, I couldn't really tap into my own "voice." I fumbled and made many mistakes, but I got through it! Eventually, I improved over the years, and subbing class for BB, among other instructors became my "progression challenges." To this very day, students ask before class, "What rhythm are you dancing today?" To their surprise, my answer is always, "I don't know. I let Spirit flow." |
Rara Tou Limen honors Blanche Brown for her contributions to Haitian dance. RASANBLE! Haitian Arts & Culture Festival (2013)
Iya Blanche is a Bay Area treasure. She has made a huge impact within our dance community, through her dance classes, lectures, and love for Haitian culture.
A grand SALUTE to a dance pioneer, my Dance Mother, God Mother and Mentor: Ms. Blanche Brown. You have opened the doors for many. I am honored to be a part of your legacy. Thank you for your love, guidance, wisdom, and continuous support. At 80 years young, you are showing us the power of dance. You are STILL teaching a weekly dance class, enriching our lives, and keeping Haitian culture alive. Many of us who continue to teach Haitian dance, not only in Oakland, but in SF, Santa Cruz, NY, St. Louis, are teaching because of YOU. You continue to inspire! 
Teacher. Priestess, Dancer... click on photo to read a recent article in celebration of "A Night of Tribute in Dance - Blanche Brown, Honoree. Event Sponsored and Produced by Congo Square West.
blanche brown conducting a dance workshop at uc davis
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"The journey of a thousand miles begins with one step."
~Lao Tzu
Haiti Chronicles
(2003-2015)
January 4, 2oo3. That was the day I first stepped on Haitian soil. So many emotions during the flight. SF to Miami: Elated, on cloud nine, joyful, proud of that fact I was traveling solo. YES! I was FINALLY going to Haiti! Miami to Haiti: Uncertainty. Anxiety. I'm almost there. "What am I doing?" My nerves were shot, my terrible nail-biting habit resurfaced AND the pains in my stomach were unbearable. Reality hit. There was no turning back. After a few breathing exercises, a sense of calmness and assurance invaded my body. I needed to make this journey. I had to connect with Haiti and her people. I set the intention, and it was up to me to fully embrace the mission. Touch down. I exited the plane, but I didn't enter the airport terminal. Instead, aircraft stairs were in place for us to walk down onto the tarmac. As I'm walking down, trying to keep my balance, the first thing I noticed were the enormous mountains, beyond mountains. What a beautiful sight! Salutations and a bow to the earth were in order.
My first adventure? The airport! Hustle, bustle and pure chaos! I was completely overwhelmed and flustered at the lack of order in the airport. I managed to get all three bags, and myself out of there in one piece. Once outside the madness of the airport, my skin was instantly hit with the warmth of the Caribbean sun. There were hundreds of faces at the gate, eagerly awaiting new arrivals. I panicked. "Where ARE my folks?"After what seemed liked an eternity, (five minutes) I heard: "Pousha, nou la!" Beyond the sea of beautiful black faces, I see Mona Alexandre and Daniel Brav Brevil. I exhale. Within seconds I'm comforted in knowing I'm right where I need to be.
My first adventure? The airport! Hustle, bustle and pure chaos! I was completely overwhelmed and flustered at the lack of order in the airport. I managed to get all three bags, and myself out of there in one piece. Once outside the madness of the airport, my skin was instantly hit with the warmth of the Caribbean sun. There were hundreds of faces at the gate, eagerly awaiting new arrivals. I panicked. "Where ARE my folks?"After what seemed liked an eternity, (five minutes) I heard: "Pousha, nou la!" Beyond the sea of beautiful black faces, I see Mona Alexandre and Daniel Brav Brevil. I exhale. Within seconds I'm comforted in knowing I'm right where I need to be.
Lakou Badjo
Lakou Badjo (2003)
My specific interest and concentration of study took place in Gonaives, at Lakou Badjo, where Nago (Yoruba) traditions are preserved. The Nago nation is the Ogou family of lwa, which are known as warriors and leaders. The temple at Badjo was founded in 1792 by a man named Azo Badi, who fought with Dessalines against the French during the Haitian war of independence. The temple is dedicated to Ogou Batagri. I visited Lakou Badjo in 2003, and returned in 2008.
The photo above SPEAKS! I was completely giddy and in awe of the dancing. Subtle. Graceful, yet, strong and powerful. THIS was the real deal, and I was finally IN it, worshiping with the devotees, and communing with the Spirits...in Haiti. I was welcomed into the community with open arms. I felt safe. I felt protected. I am home! Ogou has always been with me. Little did I know, we would forge a bond that would last a lifetime. He cleared the path, and guided me to my first Vodou ceremony in Haiti - in his honor. He has given me the tools to navigate in this world with passion, strength and courage. He has opened and softened my heart to allow positive, alternative strategies to come forth. Awoshe Nago, Papa mwen! |
High Priest at Lakou Badjo, Dorsainville Estimé
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Nago Song from Lakou Badjo
"Pa Bliye Papa Ogou, Pa Bliye
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Lakou Badjo (January, 2014)
Video Credit: simoenthomas |
Lakou Badjo (January, 2011)
Video Credit: Reginald Bailly, National President, ZANTRAY |
Lakou Souvenance
Cultural Exchange 2013 - Easter Sunday at the Mapou
You know what I love about studying Haitian dance and music? When you "think" you've touched the surface of a movement or a rhythm, there is ANOTHER complex system of rituals, language, spirits, movement, and unfamiliar rhythms waiting for you! I was introduced to the music of Souvenance through a dear friend, whom I now consider a part of my family. Lee Hetelson, has traveled to Souvenance many times, and also had the pleasure of being one of the first non-Haitian drummers to play Manman in ceremony.
2007. I finally made it! What I realized once I got to Souvenance is that the dance and musical traditions of Haiti are extremely vast! Prior to my visit, my studies were centered around Port-au-Prince dance/music and Lakou Badjo.
The festivities begin the Saturday evening before Easter Sunday, and continues all week until Friday. For my first visit, I lived in the Lakou for the entire week. Lakou Souvenance blew my mind! The ritual salutations, prayers, rumbling of the drums, the aggressive breaks, the melodic singing, all resonated within my entire being. There was a different type of energy at Souvenance that was immediately felt. Old. Ancient. Reverent. Of course! Devotees are there to honor the powerful spirits of the African kingdom of Dahomey, present-day country of Benin: the cradle of Vodou. This particular lineage of Vodou, which is very active in Northern Haiti, is called Vodou Deka. It is often called Fran Ginen: True African. The word Ginen (also nan Ginen, Lafrik Ginen, Gine etc.) can be literally translated as “Africa.” Roots planted firmly into the earth, the sacred Mapou tree is a symbol of strength that plays a huge part in Haiti's identity. The Mapou is the link, the foundation, the pillar, the Poto Mitan between the spirit world and the earth. The Mapou lives and breathes Spirits. I look forward to this annual ceremony honoring the spirits from Dahomey.
I've had the pleasure of celebrating two birthdays at Souvenance (Easter Sunday: April'07 & April'09). What an incredible blessing to be able to fellowship, worship and honor these ancestral spirits on my day of birth! Both experiences took me back to my childhood. I loved the idea of getting a new dress, shoes and a purse for Easter. I was a young diva, who couldn't wait to wear my ensemble, as I would sit in church ALL DAY! As fate would have it, my birthdays at Souvenance became a REBIRTH.
As an adult, I'm still getting dressed on Easter - but Vodou style! My adult Easter attire: a new, White Eyelet & Lace dress, White satin headwrap, and bare feet has taken on a different meaning. Even though I am in the countryside of Haiti, I feel as though I am transported into another world - an African village, where devotees revere ancient, ancestral spirits, that link us to our native homeland. I’m humbled to just be in attendance. It is a privilege and honor to witness this sacred ceremony.
2007. I finally made it! What I realized once I got to Souvenance is that the dance and musical traditions of Haiti are extremely vast! Prior to my visit, my studies were centered around Port-au-Prince dance/music and Lakou Badjo.
The festivities begin the Saturday evening before Easter Sunday, and continues all week until Friday. For my first visit, I lived in the Lakou for the entire week. Lakou Souvenance blew my mind! The ritual salutations, prayers, rumbling of the drums, the aggressive breaks, the melodic singing, all resonated within my entire being. There was a different type of energy at Souvenance that was immediately felt. Old. Ancient. Reverent. Of course! Devotees are there to honor the powerful spirits of the African kingdom of Dahomey, present-day country of Benin: the cradle of Vodou. This particular lineage of Vodou, which is very active in Northern Haiti, is called Vodou Deka. It is often called Fran Ginen: True African. The word Ginen (also nan Ginen, Lafrik Ginen, Gine etc.) can be literally translated as “Africa.” Roots planted firmly into the earth, the sacred Mapou tree is a symbol of strength that plays a huge part in Haiti's identity. The Mapou is the link, the foundation, the pillar, the Poto Mitan between the spirit world and the earth. The Mapou lives and breathes Spirits. I look forward to this annual ceremony honoring the spirits from Dahomey.
I've had the pleasure of celebrating two birthdays at Souvenance (Easter Sunday: April'07 & April'09). What an incredible blessing to be able to fellowship, worship and honor these ancestral spirits on my day of birth! Both experiences took me back to my childhood. I loved the idea of getting a new dress, shoes and a purse for Easter. I was a young diva, who couldn't wait to wear my ensemble, as I would sit in church ALL DAY! As fate would have it, my birthdays at Souvenance became a REBIRTH.
As an adult, I'm still getting dressed on Easter - but Vodou style! My adult Easter attire: a new, White Eyelet & Lace dress, White satin headwrap, and bare feet has taken on a different meaning. Even though I am in the countryside of Haiti, I feel as though I am transported into another world - an African village, where devotees revere ancient, ancestral spirits, that link us to our native homeland. I’m humbled to just be in attendance. It is a privilege and honor to witness this sacred ceremony.
Zuma Rock, Nigeria
Depi m soti lan Ginen
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Since I left West Africa
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Se Mwen Menm Gwo Wòch O, was a favorite in Group Petit La Croix's song repertoire. This particular song was used to open PLC's Yanvalou/Mayi/Zepol Suite dedicated to Papa Legba. Although we sang a slightly different version, the content of the song still remained. This song clearly speaks on the Middle Passage/Trans-Atlantic Slave Trade. The Trans-Atlantic slave trade was responsible for the forced migration of between 12 - 15 million people from Africa to the Western Hemisphere from the middle of the 15th century to the end of the 19th century.
During my first visit to Souvenance, I noticed a ritual dance pattern among the initiates. Processing and dancing in a circular motion, either in the temple or around the Mapou tree became apparent. I asked one of the initiates the cultural and spiritual significance: The procession to and from the Mapou, and circling around the tree, represents the voyage from Ginen to Haiti. I immediately thought about the lyrics in "Se Mwen Menm Gwo Wòch O." Vodou songs are cultural treasures that educate about the Lwa. They are multi-layered and are interpreted differently by an individual. Some songs are in langaj (language), which causes uncertainty of their meaning.
"People move and sing and vibrate with nature; they dance with each other, with their ancestors, and with old African Gods they have never forgotten."
~Harold Courlander
(Haiti Singing)
Souvenance means Remembering. Originating from Ginen, home of the Lwa, while honoring their ROOTS. The initiates ARE the representation of the rock. As Sèvis Ginen (Service to Ginen), they are the solid foundation, keepers of the culture, who are continually fortifying the ancestors and spirits with libations, prayers, and sacrifices. Sèvis Ginen is a way of life.
During my first visit to Souvenance, I noticed a ritual dance pattern among the initiates. Processing and dancing in a circular motion, either in the temple or around the Mapou tree became apparent. I asked one of the initiates the cultural and spiritual significance: The procession to and from the Mapou, and circling around the tree, represents the voyage from Ginen to Haiti. I immediately thought about the lyrics in "Se Mwen Menm Gwo Wòch O." Vodou songs are cultural treasures that educate about the Lwa. They are multi-layered and are interpreted differently by an individual. Some songs are in langaj (language), which causes uncertainty of their meaning.
"People move and sing and vibrate with nature; they dance with each other, with their ancestors, and with old African Gods they have never forgotten."
~Harold Courlander
(Haiti Singing)
Souvenance means Remembering. Originating from Ginen, home of the Lwa, while honoring their ROOTS. The initiates ARE the representation of the rock. As Sèvis Ginen (Service to Ginen), they are the solid foundation, keepers of the culture, who are continually fortifying the ancestors and spirits with libations, prayers, and sacrifices. Sèvis Ginen is a way of life.
Cultural Exchange 2016 | "Mapou Procession" Photo Credit: Christine Joy Amagan Ferrer
All of the songs that are sung at Lakou Souvenance are deep, haunting and soulful. This particular song for both Badé and Sobo has always pulled at my heart.
Lè yo we Badé
Yo di se Lougawou
Lè yo we Sobo
Yo di se Makanda
O badjigan lode!
Ounsi yo konnen mwen
When they see Badé (lwa)
They say it's Lougawou
When they see Sobo (brother of Badé)
They say it's Makanda
O trusted second priest!
The initiates know me
rooted in ritual | photo credit: rayna wiles (2014)
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North. Artibonite. Gonaives. Rara. Heat. Dust. Bumpy Roads. Countryside. Bush. Communal Living. Community. Village. Africa. Dahomey. Mountains. Trees, Living & Breathing. Branches. Roots. Gwo Mapou. Poto Mitan. Pillar. Central Force. Easter. Procession. Possession. Spirit. Sep. White. Colors. Annual Pilgrimage. Holy Ceremony. Week-long Celebration. Worship. Sacrifice. Blood. Sacred Pool. Bathe. Dance. Drum. Gwonde. Katabou. Manman. Chase. Grenadye. Kase. Larenn. Chants. Temple. Vodou. Lwa. Belief System. Devotion. Ancestors. Offering. Servitors. Sevite Fernand Bien-Aime.
This is Lakou Souvenance Mystique - Societe La Belle Etoile
Abobo!
Souvenance Sightings
(2007-2014)
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FOLKLORE
"dance of the folk" or "dance of the people"
Folkloric dance relates to a cultural or geographical region that reflects a cultures collective soul - traditional beliefs, practices, customs, dances and songs...
Lynn Williams Rouzier School of Dance - Petionville, Haiti (2009)
Katherine Dunham
Dancer. Choreographer. Author. Educator. Anthropologist. Political Activist. Manbo.
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Katherine Mary Dunham (also known as Kaye Dunn,[1] June 22, 1909 – May 21, 2006) was an American dancer, choreographer, author, educator, and social activist. Dunham had one of the most successful dance careers in American and European theater of the 20th century, and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."[2] While a student at the University of Chicago, Dunham took leave and went to the Caribbean to study dance and ethnography. She later returned to graduate and submitted a master's thesis in anthropology. She did not complete the other requirements for the degree, however, and realized that her professional calling was performance. At the height of her career in the 1940s and 1950s, Dunham was renowned throughout Europe and Latin America and was widely popular in the United States, where The Washington Post called her "dancer Katherine the Great". For almost 30 years she maintained the Katherine Dunham Dance Company, the only self-supported American black dance troupe at that time, and over her long career she choreographed more than ninety individual dances.[3] Dunham was an innovator in African-American modern dance as well as a leader in the field of dance anthropology, or ethnochoreology. She also developed the Dunham Technique.[4] |
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"We weren't pushing black is beautiful. We just showed it."
~ Katherine Dunham
"... her love for Haiti and its people went far deeper than that of a person who had merely “lived sporadically” in the country. As a graduate student from the University of Chicago, she first went to Haiti, where her germinal work in dance anthropology established that field of study and fueled her future dance career. In 1949 she bought a home in Haiti and soon thereafter began running a much-needed medical clinic, often administering shots and loving care with her own hands, because with Miss Dunham it was about what she could do to help."
[Source: The Missouri History Museum]
(Original Cover - 1969)
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(Revised Cover)
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Veve for Papa Legba
(Front - 1983)
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(Back - 1983)
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[click on photo for info on KDCAH]
Lavinia Williams Yarborough
Dancer. Dance Educator. Choreographer. Author.
"What I found in Haiti, was a natural and instinctive dance art of the people. All I did was to take this natural dance of the people and channel it into patterns that could be defined precisely on stage."
~Lavinia Williams Yarborough
Click on photo for article: Lavinia - The Sheer Joy of Dance and Life
(July 2, 1916 - July 19, 1989) In 1953 the Haitian Education Bureau of Tourism hired American born Lavinia Williams to develop their national school of dance. In Haiti, she trained the National Folklore Group, and founded the Haitian Institute of Folklore and Classic Dance, while directing Haiti's Theatre de Verdure. She remained in Haiti for 26 years, while teaching in Antigua, the Bahamas, Guyana, Jamaica and Trinidad. |
"My research of Haitian folklore started from the very beginning in the Vodou temples themselves. Sometimes, once or twice a month, I would join the natives in their dancing and worship of their gods. In that way I would understand the sense, reasons and values and learned to love and appreciate the folk dances because most of them had originated in the country of my own ancestors. I felt a close harmony with the drum beats, and felt at home with the rhythms. I was stimulated by these experiences to create." 
Haitian Institute of Folklore and Classic Dance | Founded November 15,1954 by Lavinia Williams Yarborough
"Dancing was and still is in Haiti, involved in practically every important experience in the lives both of individuals and of the people as a whole. The Haitian Institute strives to carry this "dance of the people" beyond its present "accepted" stage and develop it so that it can be interpreted, classified and appreciated by all students of the dance and art lovers in general." ~ Lavinia Williams Yarborough |
Haiti-Dance by Lavinia Williams Yarborough (1959)
Here is my copy of Haiti-Dance. It's old, worn, tattered and simply BUSTED! Delicate and fragile, the pages are held together by two black clamps to support the binding. While researching, I carefully turn the pages...
Visually, Haiti-Dance is stunning. The vintage black and white photos will transport you to Haiti, circa 1950. This rare publication gave me an overwhelming sense of pride and admiration. Seeing the dancers that have paved the way for many of us, as young people, executing their craft, and in their element is priceless. Many of the dancers have transitioned. A few are still with us. Haiti-Dance informs the reader of the origins, personnel, and repertoire of the National Folkloric Troupe.
Visually, Haiti-Dance is stunning. The vintage black and white photos will transport you to Haiti, circa 1950. This rare publication gave me an overwhelming sense of pride and admiration. Seeing the dancers that have paved the way for many of us, as young people, executing their craft, and in their element is priceless. Many of the dancers have transitioned. A few are still with us. Haiti-Dance informs the reader of the origins, personnel, and repertoire of the National Folkloric Troupe.
Jean-Léon Destiné (1918-2013)
Master Teacher. Choreographer. Dancer. Drummer. Haitian Ambassador of Arts. Cultural Icon. Jean-Léon Destiné was born in Saint-Marc. He moved to the United States with the dance company of Lina Mathon-Blanchet in the early 1940s. He later studied at Howard University. His work, becoming well known in the 1940s, often addressed Haiti's history of resisting colonialism and slavery. He also danced with Katherine Dunham's company and founded a national dance company in Haiti in the late 1940s. Photo Credit: Byron Coroneos |
How was the National Troupe organized?
Jean-Léon Destiné selected the best dancers from such small groups as Damballa Dance Troupe, Lecocia Dancers, Aida Troupe, Erzulie Dancers, Dantor Dancers, and the Macaya Folk Group. He formed the National Folkloric Group with the aid of Mr. Robert Baussan, who was then the Director of the Bureau of Tourism, Mr. John Brierre and several others. There were 25 dancers, a full orchestra "The Jazz des Jeunes" directed by Mr. Rene St. Aide, a choir of 15 folk singers." ~Lavinia Williams Yarborough Source: Haiti-Dance Photo Credt: Byron Coroneos |
National Folkloric Troupe (Haiti)
performing "Bamboche" after Danse Juba Danced by Jeanne Raymond and Pierre Desrameaux Mr. Desrameaux is alive, and STILL dancing in Brooklyn on Sunday's. I plan to connect with him on my next trip to NY. I need to meet this living dance legend. Ms. Jeanne Raymond, Jean Leone Destine's dance partner, was an American dancer who was on scholarship at the New Dance Group. She danced and studied with both Pearl Primus and Lavinia Williams. Source: Haiti-Dance Photo Credit: Byron Coroneos |
National Folkloric Troupe (Haiti)
performing "La Coumbite de Mais" Coumbite (Konbit) means cooperative work among the Haitian countrymen. It is common to all Haitian communities. They say it descended from African communal labor societies, such as that known in Dahomey by the name of 'Dokpwe' 
Drummers: Jobolo, Joseph Romulus, Willie
Source: Haiti-Dance
Photo Credit: Byron Coroneos |
National Folkloric Troupe (Haiti)
performing "Le Pile Feuille" Danced by Louinès Louinis Mr. Louinis is the founder and artistic director of Louinès Louinis Haitian Dance Theater, Inc. He has been teaching and choreographing Haitian dance for over fifty years. He was the principal dancer and choreographer of The National Folkloric Troupe of Haiti. As the lead dancer and choreographer of Troupe Bacoulou of Mrs. Odette Wiener, Haiti, he toured Puerto Rico, St Thomas, St Croix, Washington DC and Canada. Source: Haiti-Dance Photo Credit: Byron Coron |
Soloist: Lynn Williams, Gladys St. Albin | Seated L to R: Lavinia Yarborough, Jr., Linda Barreyre, Sarah Yarborough | Standing: Rose-Marie Joseph, Elizabeth Heraux, Nichole Huttenot in "Danse Congo" - Source: Haiti-Dance
Photo Credit: Byron Coroneos
Emerante de Pradines - Singer. Dancer. Folklorist.
In 2009, I had the distinct pleasure of meeting Singer, Dancer and Folklorist, Madame Emerante de Pradines
(aka Madame Morse)
I sat at her feet, in her home, surrounded by an extensive collection of books, art, paintings, sculptures, records and more!
She spoke about her time with the National Troupe,
and how dance has been the constant thing in her life that has given her satisfaction.
Chapo Ba, Madame Morse!
(aka Madame Morse)
I sat at her feet, in her home, surrounded by an extensive collection of books, art, paintings, sculptures, records and more!
She spoke about her time with the National Troupe,
and how dance has been the constant thing in her life that has given her satisfaction.
Chapo Ba, Madame Morse!
Emerante de Pradines at her home. [Photo courtesy of Rara Tou Limen] (2009)
Emerante de Pradines, the daughter of the legendary Haitian entertainer Auguste de Pradines (better known as Ti Candio), was born in 1928, and under the tutelage of Lina Mathon-Blanchet and René Bélance, two of the most quality dance enthusiasts of their day, Emerante developed what was to be her trademark: a penchant for Haitian folkloric dancing with European and African influences. |
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Dance as Communication: My Training
Madame Vivianne Gauthier School of Dance
still feisty and fabulous at 96! (2014)
Click on photo to read: A Leap of Faith. Ms. Gauthier speaks on dancing with Lavinia Williams Yarborough. |
Ecole Nationale des Arts (ENARTS)
I began studying Haitian Folkloric Dance with Ramses Pierre in 2007. He is one of my primary instructors in Haiti, and has given me so much! I'm extremely grateful for his teachings.
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Dance Training at ENARTS (2009)
"In my element! Forever a student, as the work, training, and research will last a lifetime. I'm inspired and ready to make moves!" -ptj
Lynn Williams Rouzier School of Dance & Artcho
"To travel is to take a journey into yourself."
~ Danny Kaye
Photo Credit: Bethanie Hines
JACMEL
Founded in 1698, Jacmel is located in the South East part of Haiti. The drive to Jacmel is picturesque, as you can fully appreciate the views of Haiti's lush mountains. It is truly breath taking. Known for its historic architecture that dates from the nineteenth century, an abundance of artists, beaches and great food, Jacmel is PARADISE!
the boardwalk. (2014) Photo Credit: Christine Amagan Ferrer
the view while taking dance classes. dancing in this tranquil environment was good for the soul! | photo credit: rara tou limen (2014)
A Rara greets you on the beach in Jacmel.
What do you do?
Kick off your shoes and dance in the sand!
(April 2014)
Kanaval in Jacmel
(February 2008)
Kanaval in Port-au-Prince
(2008)
I traveled to Haiti in early January (2008), to attend Badjo for the second time. I was scheduled to leave at the end of January, but those plans quickly changed. Kanaval excitement was in the air! Champ des Mars was being transformed with colorful signs and stands, Kanaval groups were recording songs with catchy Kanaval hooks and shooting videos to accompany. Radio stations played these tunes non-stop to get everyone into the Kanaval spirit. Dancers and drummers were constantly rehearsing, while designers were creating fabulous costumes for the Defile. I was instantly hooked and immediately got into the festive spirit!
One day, after taking a dance class at ENARTS, my teacher, Ramses asked if I wanted to participate in the Defile with his group. Without hesitation, I changed my flight and stayed in Haiti for two additional weeks. I learned the choreography in a few hours, got fitted for my costume (thank God I was in decent shape! A whole lotta skin was about to be exposed) and rehearsed with the group for a few days! Bless Ramses for his dedication and commitment to the process. He insisted upon coming to my house for a private lesson. It's documented. Check out the video below. He wanted to make sure I was well versed with his Kanaval choreography BEFORE I connected with the dancers in rehearsal.
Over the years, I've learned to relax while in Haiti, and go with the flow of things. I'm still an avid planner, but there are some things/moments that just "happen." There isn't a need to fight it. Embrace it! Due to my extended stay, I was also able to drive to Jacmel to experience Kanaval, BUT... dancing in Kanaval, IN Port-au-Prince, was one of those spontaneous opportunities that I had to seize. February. 2008. I will never forget this exhilarating experience: dancing for three long days, representing the Taino in blistering heat, with a group of gorgeous Haitian beauties, glistening in the streets of Port-au-Prince with Ramses Pierre and Compagnie Culturelle Des Arts.
One day, after taking a dance class at ENARTS, my teacher, Ramses asked if I wanted to participate in the Defile with his group. Without hesitation, I changed my flight and stayed in Haiti for two additional weeks. I learned the choreography in a few hours, got fitted for my costume (thank God I was in decent shape! A whole lotta skin was about to be exposed) and rehearsed with the group for a few days! Bless Ramses for his dedication and commitment to the process. He insisted upon coming to my house for a private lesson. It's documented. Check out the video below. He wanted to make sure I was well versed with his Kanaval choreography BEFORE I connected with the dancers in rehearsal.
Over the years, I've learned to relax while in Haiti, and go with the flow of things. I'm still an avid planner, but there are some things/moments that just "happen." There isn't a need to fight it. Embrace it! Due to my extended stay, I was also able to drive to Jacmel to experience Kanaval, BUT... dancing in Kanaval, IN Port-au-Prince, was one of those spontaneous opportunities that I had to seize. February. 2008. I will never forget this exhilarating experience: dancing for three long days, representing the Taino in blistering heat, with a group of gorgeous Haitian beauties, glistening in the streets of Port-au-Prince with Ramses Pierre and Compagnie Culturelle Des Arts.
portsha with dancers from Compagnie Culturelle Des Arts hanging in the stadium before we hit the streets!
There's MORE! In addition to performing with Compagnie Culturelle Des Arts in the parade, I had an AMAZING opportunity to dance in a video with Foula Vodoule, a mizik rasin/vodou jazz group. FOULA was one of the first and greatest Haitian bands, and is instrumental in creating the Mouvman Rasin Roots Movement in Haiti.
My first video...in Haiti!
My first video...in Haiti!
kanaval video shoot with FOULA. Port-au-Prince (2008) CLICK ON PHOTO to see and hear "Neg Kap Pote" a rare live performance from FOULA, recorded in 1990. CLASSIC!
"Went to visit a friend (Jean Raymond) and these lovely ladies were practicing in his yard. I had to give them major props, especially the Manman (lead) player. In Haiti, the drum is for EVERYONE - including women. I'm not a drummer, but it was awesome to sit with them and feel the energy of the Nago rhythm, played by women..."
When you visit Haiti, go check out Comite Artisanal Haitien in Port-au-Prince. Nice work made by local artists. Photo Credit: Rara Tou Limen
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wooden statues, metal artwork, sequined flags and more! Photo Credit: Rara Tou Limen
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gorgeous metal artwork at Comite Artisanal Haitien | Photo Credit: Rara Tou Limen
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Freda was busy...
Photo Credit: Rara Tou Limen
The Spirit of Love was near, and very busy. Metres Ezili Freda's presence was around. It was strong. Throughout the day, my nostrils were filled with a sweet smelling aroma that I could NOT find! I was in a reflective, solitary space and felt the need to honor being with self. I decided to take an afternoon stroll to Comite Artisanal Haitien, to check out their latest artistic expressions.
The crafts were beautiful, but I didn't see anything that I HAD to take home - until my feet lead me to a pile of metal ironwork towards the back of the store. That pile turned out to be pieces CAH decided not to sell because the mirrors were either cracked or missing. Hidden underneath a pile of other pieces, I see a very large heart shaped Veve, surrounded with intricate leaves. It was gorgeous! I scored this beautiful piece of work, but the mirror was shattered! I wanted it. I needed it. I also didn't want to trouble anyone to do extra work. As I'm contemplating walking out, I smell that faint sweet fragrance I was engulfed in earlier. FREDA wanted me to have that Veve! I walked up to a guy who was stocking more wares on a shelf. I asked for a mirror... while batting my eyelashes... flashing my biggest smile... gently touching his shoulder... Without question, the guy measured and cut a mirror for me, on the spot! I always tell folks that spirit is everywhere in Haiti.
Spirited Sequins: Haitian Vodou Flags (DRAPO)
The glittering sequined wall hangings that have graced the walls of galleries and the homes of art collectors for the last 30 years are examples of an evolving art form from the country of Haiti. These highly embellished art tapestries are a celebrated derivation of Haitian ceremonial flags, which have long been incorporated for use in traditional Vodou religious ceremonies. Originally created solely as sacred objects, the flags traditionally play an integral role in creating a sacred environment within a Vodou temple. In this sacred space a pantheon of spirits is invited to give spiritual counsel and healing to the believers of this time honored religion. (Academy of Art University)
Drapo - Photo Credit: Rayna Wiles
Silva Joseph (1930-2011)
Houngan. Vodou Flag Maker. SACRED ARTIST.
 Houngan Silva Joseph dressed as Ogou Badagri - Photo Credit: Phyllis Galembo
Silva Joseph, a highly regarded Vodou flag maker, was born in Leogane, Haiti in 1930. He was initiated into Vodou in 1955. After becoming a houngan (Vodou priest) in 1970, he worked out of his peristil (temple) in the Bel Air neighborhood of Port-au-Prince. His initiation and priesthood were the path to his art, as the sequined flags are used as altarpieces and are “danced” at the beginning of Vodou ceremonies. He created his first vodou flag in 1972 and works in the tradition of Bel Air’s famous flag artists, such as Tibout, Joseph Fortine and Luc Daniel Cedor.
Silva Joseph’s work is published in Sequin Artists of Haiti (Girouard, 1994) and Sacred Arts of Haitian Vodou (Cosentino, 1995). In October 2000, the Liverpool Museum commissioned Joseph to make eight Vodou flags. Six of them hung in the World Cultures gallery as you approached the entrance to the Americas section of the Museum. |
Visiting Silva at his temple. (2007) - Photo Credit: Mona Alexandre
Silva creating a masterpiece
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ezili freda sequin purse [rara tou limen personal collection]
Danbala. Silva Joseph Collection
my danbala/freda drapo from silva! (2003)
(2003) My obsession with Vodou flags was real! I had only seen them in books and finally at The Sacred Arts Of Haitian Vodou Exhibit at UCLA Fowler Museum of Cultural History.
After many twists, wrong turns and several alley's later, Mona and I found Houngan Silva Joseph at his temple/home in Bel Air. Known as one of the most renowned members of the "Bel-Air school" of flag makers, it was an honor to meet this acclaimed artist. 
Agwe. Silva Joseph Collection
Inside the temple, I was led into his work space where he created his masterpieces. In the center of the room, there was a huge chest. He told me to open it. Nervously, I obeyed. I was greeted by Danbala, Marassa, Freda, Agwe, La Siren, Bossou, Gran Bwa, Zaka, Ogou, Danto and Gede! As the sequins danced and glistened before my eyes, I begin to pray and give thanks for this encounter. His collection of drapo Vodou was beyond AMAZING! I was overwhelmed (in a good way!). Silva sensed it, and motioned for two boys to move the chest into another room. I blindly followed Silva and the boys. I heard three knocks at the door. I enter. I'm introduced to his Spirit room. Silva said, "You need time to chose the right flag. Let the Spirits speak to you." He leaves the room, and closes the door. I'm left alone, in the Spirit room, with an enormous amount of Spirited Sequins in my possession. Inspecting. Touching. Feeling. Gently caressing each flag, tenderly, with care.
What spoke to me was a Danbala/Ezili Freda creation, with a yellow satin border. I happily cupped the money into Silva's hands, and thanked him for letting me take my time in choosing my selection. |
a silva creation housed in my spirit room. ogou feray! (2007)
(2007) Back at Silva's temple, and STILL obsessing over flags. I was in Haiti for a month, and was completely broke by the end of my trip. I was leaving the next day to return to the States, but I wanted to see him, and of course, his latest creations. I asked my extended family member, Mona Alexandre to take me back to his temple. We got lost. Again! By the time we finally made it to his temple, I was tired, hungry and irritated. Although I was pleasant and embraced Silva tightly, he sensed my irritability. He called a young boy into the room, gave him money and the boy left. Twenty minutes later, the boy returned with two heaping plates of spaghetti (with a glob of mayonnaise, smacked right in center. YUCK!) and two bottles of 7-up.
Despite the glob of yuckiness, I was so touched and moved by his thoughtful gesture. The Spirit of HungryNess was gone, my belly was full and Silva asked if I wanted to see his new flags. YES, please! I told him "I'm just looking today, because I don't have any money." He said, take what you want and pay me later." This time, a flag for Ogou Feray and Azaka Mede spoke to me. Silva carefully rolled both flags, wrapped them in paper, and handed them to me. At that moment I started to get emotional. This was a living example of how generous Haitian people are. They will give you what they have, despite their own hardships. This man had not seen me since 2003. He let me back into his home, fed ME, AND was willing to let me take home two of his prized possessions, that could help feed his family. He trusted me. In that moment, I was filled with so much gratitude. Once I got back to the States, I borrowed money from my mama, and sent Silva the price he charged for two Drapo, plus a little extra, via Western Union. 
Bossou. Silve Joseph Collection
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Upon my return from Houngan Silva's temple, I was inspired! I decided to make an ATTEMPT at creating my very own drapo. I knew the flag had to be for Marassa. I'm certain my affinity towards the Marassa is ancestral. Twins are common within my family's lineage. My maternal grandmother died during childbirth with twin girls. My mother was only 11 months old. I can't help but think that as my mother's first born, and the first grandchild, I'm spiritually connected to the spirits of my aunts. Admittedly, I've been working on this drapo for YEARS! It takes time, energy and lots of patience...one sequin...one bead. It made sense that Silva had a team of people working to finish a flag, as his works were in high demand. Currently, my Marassa drapo sits in the garage. It's an unfinished project from many moons ago, but I will finish, eventually. |
For Petit La Croix's 10th Anniversay, a few of us decided to be creative. 5 PLC members came together on Friday evenings, for about 5 months, to create a Drapo for our Artistic Director, Blanche Brown.
This new Friday night ritual became our "Drapo Circle." Already a tight group who considered one another family, we bonded as sisters of the circle. This process was so much fun! The experience was quite different than my solo drapo attempt. Mama Karen always had something wonderful baking in the oven, we told stories, listened to the blues, jazz, reggae and soul music, reminisced about past PLC shows that were downright hilarious, and laughed until our stomachs hurt. |
Happy 10th Anniversary Petit La Croix! l to r: Gloria, Cecily, Portsha, Michelle, Karen, Blanche
"Vodou means many things. It means dancing, singing, rituals for the living and the dead, drums; it means an attitude toward life and death, a concept of ancestors and the afterworld, and an understanding of the forces which control man and his activities; it has subtle meaning beyond the understanding of anthropological observers; it is in short, something which is infused into the very essence of living."
~ Lavinia Williams Yarborough
Altar construction: Ashade Bon Manbo
[photo credit: Rara Tou Limen]
[photo credit: Rara Tou Limen]
April 2013
I embarked on a journey that would change my life forever. Much has transpired since the photo above was taken. The journey towards spiritual enlightenment is never an easy road. Trust waivers, faith is tested, and unforeseen challenges will occur. My own situation forced me to go deep within the depths that I didn't know existed. Most importantly, I'm grateful for the lessons. Those hard truths.
Grateful that I finally realized SPIRIT was, and has always been within ME.
Ayibobo!
Photo Credit: Viva Dunwoody
Witnessing transformation
Being transformed
In this magical dimension
where Spirit is stronger than flesh.
April 9, 2013
My folks had my front, back, left and right! Fok Nan Pwen Bon Houngan is Vodou personified. Words cannot convey how blessed I was to have him work my ceremony. We've spoken, but it's been three years since I've seen him. Yesterday, (April 29, 2016) was filled with emotion, as I officially greeted and embraced him in the flesh! I am thrilled beyond belief that he is now residing in the BAY! Our community is about to be seriously uplifted.
My sister, Soulajer-yo Bon Manbo, is a God send and such a wonderful spirit. Give thanks to the Universe for aligning our paths.
Here they are saluting the palm branch and feeding Manbo Ayizan, who is the mother of all initiates. She governs the palm frond that covers a new initiates face as they emerge from seclusion into the Leve Kanzo.
My sister, Soulajer-yo Bon Manbo, is a God send and such a wonderful spirit. Give thanks to the Universe for aligning our paths.
Here they are saluting the palm branch and feeding Manbo Ayizan, who is the mother of all initiates. She governs the palm frond that covers a new initiates face as they emerge from seclusion into the Leve Kanzo.
"Vodou means spirit...Nothing can erase or replace the spirit."
~Mimerose Beaubrun
preparing a veve for ayizan
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A salute to Ayizan:This video was taken during a Kanzo ceremony in Leogane, Haiti. Although I couldn't "see" many things, I was comforted in knowing Daniel and my Bay Area dance family were there to witness my rebirth. Big thanks to my sister Soulajer-yo Bon Manbo for capturing the moment.
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"A priestess is a woman who helps others to connect to the divine
so they can heal and/or actualize their souls unique path."
"You all came here for me? "Yes, beautiful one, because you matter." | rites of passage ceremony (WomenOfTheCircle)
Leve Kanzo, May 1980
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Leve Kanzo, April 2013
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Scholar to Initiate. Here is a photo of Katherine Dunham (center) at her Leve Kanzo ceremony in Haiti. May, 1980. This is the beginning of an initiate's spiritual journey as a Manbo or Houngan, a priest in Haitian Vodou.
This photo speaks to me, as I too, was called to serve the spirits and partake in this rebirth ceremony (pictured, right). Although my journey has been my own, Ms. Dunham and I have walked a similar path.
I would not call myself a scholar, but my research on Haitian Vodou has been vast. That knowledge gave me insight and "book sense." I'm grateful for that. Now that I have a "new" set of eyes, I am LIVING Vodou. Vodou can't be taught in a book or in a class. It's not about what you "think" it is. It's a complex system of rites, rules, rituals, prayers, gestures, langaj, and secrets that will never be readily accessible in a book.
It only touches the surface.
Ms. Dunham knew this. Despite all of her scholarly achievements, which are phenomenal, the spirits called her to delve deeper...not only to write about Vodou from a scholars perspective, but LIVE it.
Photo Source: Lydia Cabrera Papers
University of Miami Library, Cuban Heritage Collection
This photo speaks to me, as I too, was called to serve the spirits and partake in this rebirth ceremony (pictured, right). Although my journey has been my own, Ms. Dunham and I have walked a similar path.
I would not call myself a scholar, but my research on Haitian Vodou has been vast. That knowledge gave me insight and "book sense." I'm grateful for that. Now that I have a "new" set of eyes, I am LIVING Vodou. Vodou can't be taught in a book or in a class. It's not about what you "think" it is. It's a complex system of rites, rules, rituals, prayers, gestures, langaj, and secrets that will never be readily accessible in a book.
It only touches the surface.
Ms. Dunham knew this. Despite all of her scholarly achievements, which are phenomenal, the spirits called her to delve deeper...not only to write about Vodou from a scholars perspective, but LIVE it.
Photo Source: Lydia Cabrera Papers
University of Miami Library, Cuban Heritage Collection
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“Whenever you want to achieve something, keep your eyes open, concentrate and make sure you know exactly what it is you want.
No one can hit their target with their eyes closed.”
Celebrating a Milestone of 10 years!
Since it's inception in 2004, Rara Tou Limen has grown tremendously! We're celebrating 10 years of representing the rich cultural traditions of Haiti, through educational platforms and performance!
Let's CELEBRATE!
Manifesting the Dream...
[June 18, 2014] I am thrilled to announce that Rara Tou Limen has received our first grant - from HAITI! Give thanks to FOKAL for believing in our work. Your support and liberal contribution towards our journey in August is deeply appreciated. We humbly accept the grant award. The dream is happening. It's becoming so real, I can "see" the company performing on stage. This is truly a journey, as I'm filled with numerous emotions prior to us touching the soil - together!
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FOKAL (La Fondation Connaissance et Liberté/Fondasyon Konesans Ak Libète), is an independent foundation in Haiti supported by the Open Society Institute and other international and local organizations. Since 1995 FOKAL provides a range of educational, human development and economic activities to the local communities and community civil society organizations in the country and has become the leading independent organization shaping the future of Haiti.
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"Minokan" Photo Credit: Chaplin Street Studio
Reflection: July 24, 2014
#rtltohaitiupdate: Community! The performance venue has been secured. Our artistic offering, Limye pou Ayiti will soon hit the stage in Port-au-Prince! I keep asking myself, "Is this REALLY happening?" At this moment, it all seems so surreal. This Cultural Exchange Tour to Haiti is GRAND. I know. I think big. I dream big, I choreograph big (ask any company member!). Why? Because I manifest GREATNESS! What keeps me going is the unwavering love and on-going support the company has received from everyone across the globe! My tears of gratitude are constantly flowing. We are currently $5,092 away from our goal of 30k! We are so close! Help us make it happen. It is so true that EVERY dollar will push us one step closer. For those that have generously donated, shared the campaign, provided words of encouragement, hailed us in prayer, and offered a hug to ease my anxiety, I thank you! Here is the link: http://www.gofundme.com/7wuknw
Yes, it's a lengthy appeal. READ it. We are a committed group of individuals with a mission. You can also donate at RTL's LAST fundraiser on August 8th, which is the kick-off to Rara Tou Limen presents: RASANBLE! Haitian Arts & Culture Festival 2014. AUG. 8-10, Oakland will be blessed. 10 days later, we're off... MANIFESTING GREATNESS!
#rtltohaitiupdate: Community! The performance venue has been secured. Our artistic offering, Limye pou Ayiti will soon hit the stage in Port-au-Prince! I keep asking myself, "Is this REALLY happening?" At this moment, it all seems so surreal. This Cultural Exchange Tour to Haiti is GRAND. I know. I think big. I dream big, I choreograph big (ask any company member!). Why? Because I manifest GREATNESS! What keeps me going is the unwavering love and on-going support the company has received from everyone across the globe! My tears of gratitude are constantly flowing. We are currently $5,092 away from our goal of 30k! We are so close! Help us make it happen. It is so true that EVERY dollar will push us one step closer. For those that have generously donated, shared the campaign, provided words of encouragement, hailed us in prayer, and offered a hug to ease my anxiety, I thank you! Here is the link: http://www.gofundme.com/7wuknw
Yes, it's a lengthy appeal. READ it. We are a committed group of individuals with a mission. You can also donate at RTL's LAST fundraiser on August 8th, which is the kick-off to Rara Tou Limen presents: RASANBLE! Haitian Arts & Culture Festival 2014. AUG. 8-10, Oakland will be blessed. 10 days later, we're off... MANIFESTING GREATNESS!
August 9, 2013: RTL Press Kits on their way to Haiti. Manifesting my dream into reality. #dreambig #visions #travel #international #rtl10
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July 7, 2014: It's OFFICIAL! 19 tickets just purchased. We are on our way! #rtl10 #OaklandtoHaiti #DreamsDoComeTrue
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August 12, 2014: Just picked up pre-sale tickets for our show in Haiti! They're being delivered tomorrow! It's REAL! Limye pou Ayiti hits the stage August 29!
#rtl10 #levillate #petionville #haitianfolklore #oaklandtohaiti #raratoulimen
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Rara Tou Limen in HAITI!
August 20 - September 3, 2014
Dream It. CREATE It. LIVE It...and WE did that! AYIBOBO!
In celebration of Rara Tou Limen's 10th Anniversary, the company traveled to Haiti for a two week adventure! Company members participated in folkloric dance workshops at Ecole Nationale des Arts (ENARTS) with celebrated instructors, and visited natural and historical landmarks to investigate and research Haitian cultural traditions. In addition, RTL proudly presented our artistic offering, Limyè pou Ayiti... Lavi Kontinyè! to a responsive and receptive crowd at Le Villate, in Petion-Ville. As activists, educators, scholars, priests, vocalists, dancers and musicians, we were honored to serve as cultural ambassadors of Oakland/San Francisco and participate in "From the Bay to Haiti: RTL goes International!"
Limyè pou Ayiti... Lavi Kontinyè! WE DID IT RTL!!
Here's to celebrating the work, the incredible journey, the revelations, the lessons, and YOU for your tireless energy, commitment and dedication in making the dream become a reality.
Here's to celebrating the work, the incredible journey, the revelations, the lessons, and YOU for your tireless energy, commitment and dedication in making the dream become a reality.
Rara Tou Limen standing on the grounds of Le Peristyle de Mariani - A Vodou Sanctuary
A grand salute to Ati Max Beauvoir!
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Ayibobo! Manbo Rachel Beauvoir
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Onè ak Respè ATI MAX BEAUVOIR
August 5,1936 - September 12, 2015
August 5,1936 - September 12, 2015
Reflection: August 22, 2014
My spiritual journey has lead me to Le Peristyle de Mariani, the Vodou temple of Ati Max Beauvoir. I was honored to be present with Rara Tou Limen learning valuable history, while sharing our 10 year history with this incredible man, who has fought for years to preserve the legacy of Vodou. I give thanks to Manbo Rachel Beauvoir for presenting one of the most engaging lectures I've attended. RTL sang for Ati, participated in The Priye Ginen and saluted the Lwa. Ayibobo pou Lwa yo! I am full at this moment and grateful for the opportunity to be in Haiti with my artistic family. Our bond has strengthened and our love for one another has deepened. Our unit is fortified!
Thank you Kevin L. McEwen of Chaplin Street Studio for capturing these precious moments that will last a lifetime!
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Sodo/Saut d'Eau
Rara Tou Limen traveled 60 miles north of Port-au-Prince, to receive blessings through the beautiful, healing waters at Saut d'Eau.
Saut-d'Eau - 'waterfall' in French, is a village in the Mirebalais district of Haiti. It is believed that the Virgin Mary of Mount Carmel, also know by Vodouizant's as Ezili Danto, appeared on a palm tree at Saut-d'Eau. Although the tree was chopped down by a French priest, the site is still considered a sacred and religious haven for practitioners. An annual pilgrimage takes place at the falls, during the festival of Our Lady of Carmel, from July 14–16. Vodou rituals, prayers, singing, offerings and bathing in the waters of the falls, take place, while asking favors of the Virgin or Ezili, for blessings and purification.
Beach Day!
(Montrouis)
A Day in PARADISE!
Imamou
An unforgettable day in one of my favorite places. Jacmel! It was imperative that RTL left the hustle and bustle of Port-au-Prince, to experience the serene beaches, art galleries, fresh seafood, and of course, the opportunity to connect with a beautiful group of aspiring dancers, known as DANCE TO SAVE LIVES.
the drum, the dance, and the ocean
Reflection: August 31, 2014
Visited Fosaj Art Galley, and was greeted by Director, Luckner Candio. Participated in a RTL photo shoot on the beach with Chaplin Street Studio. (Those photos are HOT! Ya'll ain't ready!) Took the bus to Ti Mouillage, and had my first dance class on the beach with my teacher, Dieufel Lamisere and his students, Dance To Save Lives, along with my RTL family. How fitting to dance for Met Agwe and La Sirene in their element! Next up a few dips in the ocean, a family style lunch: lobster, fish, chicken, rice, banane peze, pikliz, and Prestige. Can't resist... back into the ocean. We eventually heard the dreaded "Ann ale!" "to the bus, to the bus" (Brav's signal to get our tails on the bus, although we're not quite ready to leave). Back to PAP, curvy road, darkness, heavy rain turns into a massive thunder & lighting storm, but wait...we literally run into a Rara on the road. The bus was forced to make a sudden stop. Folks in the Rara are partying big time, drenched, drums beating, and singing IN A THUNDERSTORM! Confirmation #2. This is the second Rara we "happen" to bump into. On the bus, our ears were stimulated with Reggae, Haitian Hip-Hop, Mizik Racine, Konpa, and even Rhianna, thanks to DJ Brav. Two hours later. Turgeau. Home. Sleep. Dreams. 
Dance Bliss at Ti Mouillage
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A Dancer's Life!
Rara Tou Limen presented Haitian Folkloric Dance Workshops at Ecole Nationale Des Arts (ENARTS) during our two week tour in Haiti. Three days, ten classes, live singers, awesome drummers, flute and saxophone players, with a host of community dancers who came to dance for FREE. As part of our community service, RTL provided a daily lunch and beverage for the entire school! A special thanks to Daniel's family and community members for providing the nourishment, and our remarkable staff of instructors: Dieufel Lamisere, Ramses Pierre, Marc-Elie Pierre, and Gerda Samson for deepening our knowledge and understanding of Haitian Folkloric Dance, by providing professional, challenging, spirited, and engaging classes. A GRAND salute to you all!
The dance classes in Haiti always gives me so much life! I'm happy to share a small fraction of what RTL experienced during this ground breaking, and historical journey. With Barbancourt and Florida Water in hand, Marc-Elie Pierre (Houngan Asogwe, Dancer, Choreographer) blessed our dance space and proceeded to give us that special kind of Yanvalou, that only exists in Haiti. Class ends with a festive Raboday, that we will never forget!
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Rara Tou Limen presents
Limyè pou Ayiti... Lavi Kontinyè! - in Haiti!
2014
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"RTL making moves that make news in HAITI"
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Content after the show. Three years in the making. This was a moment of joy, completion, and BLISS!
Limye pou Ayiti originally premiered October 8, 2011, in Oakland, Ca.
After the show, Brav said, "We are going to bring this show to Haiti." I honestly didn't think it would be possible, but WE did it! With his constant pushing and encouragement, we worked together to make the dream a reality. RTL premiered Limye pou Ayiti IN HAITI on August 29, 2014!
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Confirmation #1
After RTL performed our hearts out, and left our mark on Le Villate's stage, we were surprisingly greeted with an impromptu Rara on the streets of Petion-Ville!
THIS is how we celebrated our biggest accomplishment yet!!
Sosyete Vodou Lakay - Leogane, Haiti
Upon invitation by Etoile Filante Bon Manbo and Yabezwen Bon Houngan, several members of Rara Tou Limen attended a Vodou ceremony at Sosyete Vodou Lakay in Leogane, Haiti. What a blessing for the company to SEE Vodou with their own eyes! A rewarding, magical and spiritual experience was had by all.
AYIBOBO!
Rara Tou Limen was honored to have our Dance Kin, Ms. Regina Califa Calloway with us in Haiti, to celebrate the company's tenth anniversary. Califa is a 20 year Afri-Diaspora Dance Agent, Seasoned Bay Area Carnavalesca, and the creature of Nzo Califa Dance Works. Califa shares her thoughts on a Vodou ceremony in Leogane, Haiti.
More about nzoCALIFA: nzocalifa.blogspot.com
More about nzoCALIFA: nzocalifa.blogspot.com
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"IMAMOU"
Photo Credit: Chaplin Street Studio |
Artistic Direction: Califa Calloway & Tossie Long |
Location: Jacmel, Haiti
Reflection: August 20, 2015
"IMAMOU" - Through hard work, determination, faith, patience, blood, sweat and tears, RTL crossed the waters a year ago today, (August 20, 2014) from Oakland to Haiti to fulfill a DREAM. A MISSION. We strengthened and fortified historical legacies and established community ties that will bind us for life. The journey was real - 19 family members, 19 personalities! Not one, but two weeks. In Haiti. Life lessons were learned, personal strength and faith in relationships were tested. There were tears, frustration, anxiety, extreme fatigue, sickness, and a few REALLY?, WTF? moments, balanced with love, compassion, togetherness, sisterhood, brotherhood, communication, laughter, hugs, joy, excitement, ancestral visits, prayer, ceremony, ritual, and most importantly, personal truths and revelations. LIFE.
As I sit and reflect on the journey, I'm still in awe of the fact that WE actually did it! I am forever grateful to the members of RTL for always going above and beyond the call of duty and for taking on the responsibility of becoming an artistic vessel, medium, and educator of Haitian folkloric dance and musical traditions, to produce meaningful, spirited and thought provoking work. My love runs deep for each of you.
A sincere THANK YOU to our families, our wonderful Oakland/SF dance community and our supporters across the globe who believed in us. Lastly, I give thanks to God, my Ancestors, who continue to walk with me and keep me firmly planted. Ayibobo to the Lwa for your constant lessons, guidance and protection. Thank you for the dreams, messages and whispers in my ear. When in doubt, I felt the push and for sure, heard the call. Thank you for choosing me to do this important work.
"DREAM It, CREATE It. LIVE It... and WE DID THAT!"
"IMAMOU" - Through hard work, determination, faith, patience, blood, sweat and tears, RTL crossed the waters a year ago today, (August 20, 2014) from Oakland to Haiti to fulfill a DREAM. A MISSION. We strengthened and fortified historical legacies and established community ties that will bind us for life. The journey was real - 19 family members, 19 personalities! Not one, but two weeks. In Haiti. Life lessons were learned, personal strength and faith in relationships were tested. There were tears, frustration, anxiety, extreme fatigue, sickness, and a few REALLY?, WTF? moments, balanced with love, compassion, togetherness, sisterhood, brotherhood, communication, laughter, hugs, joy, excitement, ancestral visits, prayer, ceremony, ritual, and most importantly, personal truths and revelations. LIFE.
As I sit and reflect on the journey, I'm still in awe of the fact that WE actually did it! I am forever grateful to the members of RTL for always going above and beyond the call of duty and for taking on the responsibility of becoming an artistic vessel, medium, and educator of Haitian folkloric dance and musical traditions, to produce meaningful, spirited and thought provoking work. My love runs deep for each of you.
A sincere THANK YOU to our families, our wonderful Oakland/SF dance community and our supporters across the globe who believed in us. Lastly, I give thanks to God, my Ancestors, who continue to walk with me and keep me firmly planted. Ayibobo to the Lwa for your constant lessons, guidance and protection. Thank you for the dreams, messages and whispers in my ear. When in doubt, I felt the push and for sure, heard the call. Thank you for choosing me to do this important work.
"DREAM It, CREATE It. LIVE It... and WE DID THAT!"
"The White Session" Photo Credit: Chaplin Street Studio | Artistic Direction: Califa Calloway & Tossie Long | Location: Fosaj Gallery, Jacmel, Haiti
"Men anpil chay pa lou"
Many hands make the load lighter
DONOR SPOTLIGHT
Merrill Garbus & Tune-Yards
 Daniel Brevil and Merrill Garbus
Merrill Garbus - founder of tune-yards, singer, songwriter, band leader, musician, student of Haitian dance and musical traditions, activist, and all around GENTLE SOUL is one of the most humble and unique human beings on this planet. We are fortunate to have her as a member of RTL's artistic family.
Merrill traveled to Haiti in 2013, as part of Daniel Brevil's annual Cultural Exchange Trip. During one of our many late night conversations in Haiti, I expressed my ultimate dream for RTL to celebrate our 10th Anniversary touring, training and performing in Haiti. Merrill unexpectedly said, "There is NO reason why RTL can't perform in Haiti. It's time. I am going to do whatever I can to get the company to Haiti." Upon hearing RTL's plans to finally make our trip a reality, this generous human being, remaining true to her word, decided to donate one dollar from every ticket sale from her current Nikki Nack world tour, to our "Help Rara Tou Limen travel to Haiti" campaign. I am completely, utterly, speechless, and blown away by your GENEROUS donation. With tears of gratitude, on behalf of Rara Tou Limen, I humbly accept you and Nate's offering. Merrill, you are a shining example of a true humanitarian. Thank you for your love for Haiti, the culture, and most importantly, give thanks to you for believing in US, Rara Tou Limen. Although you will not be with us physically, you WILL be with us in Spirit. We LOVE you! A BIG Ayibobo for you! Continued success on your tour. |
RTL salutes Merril Garbus for her generous donation to the company's Go Fund Me campaign.
"Thanks to Daniel Brevil, who so generously brought us through the doors and into the heart of Haitian culture, and to Portsha Jefferson and Rara Tou Limen for imparting the spirit at Sunday church."
- Merrill Garbus |
Give thanks to our Sponsors: Le Villate, FOKAL, tune-yards, Le Nouvelliste, Scoop Radio, Caraibes FM AND.... a special thanks to: the beautiful dancers at ENARTS for collaborating with RTL That Rara was HOT! Linda Isabelle Francois, I am in complete awe of your dancing! Jean-Sebastien Duvilaire, brother, you got the gift! Thank you both for dancing so beautifully. MY TEACHERS IN HAITI who performed with RTL: Dieufel Lamisere, Ramses Pierre and Marc-Elie Pierre - What an honor and privilege to grace the stage with you. Thank you for believing in me! I am eternally grateful for your support.
Bay Area Dance Community & Supporters of RTL, where would we be without you? We value and appreciate you for you too believed in the dream. YOU donated to RTL's Go Fund Me Campaign, You shared the good news of our travels via Facebook, Instagram and Twitter, attended dance classes, participated in our Dance + Song Workshops, gave generously towards our "FUNraisers" and purchased RTL's 10th Anniversary T-Shirt. All of these efforts helped us reach our goal. You offered words of encouragement, wisdom, displayed enthusiasm, offered a helping hand, donated time, energy and space, and so MUCH MORE! THANK YOU! MESI ANPIL! for allowing the dream to become a reality!
MINOKAN
~ The Documentary ~
"What you get by achieving your goals
is not as important as what you become by achieving your goals."
~Zig Ziglar
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RTL participating in a Q &A, at the premiere of our documentary, MINOKAN
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It's official and documented! WE must continue to tell OUR stories! Rara Tou Limen premiered our documentary: MINOKAN: Dream It. Create It. LIVE IT!, on March 14, 2015. Personal testimonies, vivid photos, and two weeks of revealing footage was released. The community became a part of our journey! RTL in Haiti Report Back/Documentary. Q & A. Youth Dance + Drum Performances. Lakou Souvenance Tribute. Haitian Cuisine. Vendors. |
KEVIN L. McEwen - MINOKAN, Producer
Rhythm N Dance | Chaplin Street Studio
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Kevin McEwen was with RTL for the duration of the company's two week journey in Haiti, with camera in tow. He didn't miss a beat! From RTL's visit to Ati Max's temple, dance classes at ENARTS, Vodou ceremonies, beach excursions, Jacmel, impromptu photo shoots, spontaneous Rara's, and so much more! Six months of post-production finally came to light. Kevin captured the essence of RTL in true form and fashion. For more information on Kevin's Performing Arts & Photography projects, visit: http://www.kevchronicles.com & www.chaplinstreetstudio.com |
"Learning is an experience. Everything else is just information"
~Albert Einstein
JUNE 22, 2015
Basking in the glow of this Monday afternoon goodness! I'm officially on vacation, got a full body massage this morning, the Sun is shining, AND I was informed this afternoon that I am a grant recipient from the
American Folklore Society to continue my fieldwork in Haitian Folkloric Dance & Musical Traditions, through their Professional Development Program! I'm honored to be on this journey of knowledge, culture and self-discovery. I humbly accept this award to continue to do the work I am called to do. Vinn Pran Baget, here I come! AYIBOBO!
Basking in the glow of this Monday afternoon goodness! I'm officially on vacation, got a full body massage this morning, the Sun is shining, AND I was informed this afternoon that I am a grant recipient from the
American Folklore Society to continue my fieldwork in Haitian Folkloric Dance & Musical Traditions, through their Professional Development Program! I'm honored to be on this journey of knowledge, culture and self-discovery. I humbly accept this award to continue to do the work I am called to do. Vinn Pran Baget, here I come! AYIBOBO!
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Dieufel Lamisere, Host of Vinn Prann Baget
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Attending Vinn Pran Baget in Jacmel afforded the opportunity to:
1. Study form, function and dance technique, as it relates to/in the city of Jacmel.
2. Comparative study of Port-au-Prince, Gonaives, and Jacmel’s folkloric movement,
and how they relate to the people of that particular region.
3. How does the research apply to my dance community in the United States?
4. Effectively incorporate the field work into my community dance classes,
“Explorations in Haitian Culture”course, and Rara Tou Limen Performing Arts Company?
5. Interview Dieufel Lamisere and various members of Dance To Save Lives.
How is Dance used as a healing agent?
1. Study form, function and dance technique, as it relates to/in the city of Jacmel.
2. Comparative study of Port-au-Prince, Gonaives, and Jacmel’s folkloric movement,
and how they relate to the people of that particular region.
3. How does the research apply to my dance community in the United States?
4. Effectively incorporate the field work into my community dance classes,
“Explorations in Haitian Culture”course, and Rara Tou Limen Performing Arts Company?
5. Interview Dieufel Lamisere and various members of Dance To Save Lives.
How is Dance used as a healing agent?
Vinn Pran Baget 2015
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Mapou Ginen & Rara Tou Limen | Photo Credit: Chaplin Street Studio
Mapou Ginen and Rara Tou Limen FINALLY met at Vinn Pran Baget!
These beautiful ladies are holding down Haitian Folkloric Dance in Montreal, Canada, and are keeping the 40 year legacy of their troupe alive! Meeting these sisters was a highlight of my trip. The connection was instant and seamless. The laughs and jokes were endless! It was a pleasure dancing with you all, and learning together. Next up, Mapou and RTL on stage...TOGETHER! Let's do this! Stay tuned...
These beautiful ladies are holding down Haitian Folkloric Dance in Montreal, Canada, and are keeping the 40 year legacy of their troupe alive! Meeting these sisters was a highlight of my trip. The connection was instant and seamless. The laughs and jokes were endless! It was a pleasure dancing with you all, and learning together. Next up, Mapou and RTL on stage...TOGETHER! Let's do this! Stay tuned...
the usual hangout - Hotel Cyvadier in Jacmel (2015)
Reflection: March 3, 2015
I went to Vinn Pran Baget Dance and Drum Retreat last year to spend quality time in Jacmel, train with awesome dance teachers, and to support one of my teachers, Dieufel "Ferlo" Lamisere, who presented the event.
I am first and foremost a student of Haitian dance. I LOVE learning, growing, and eagerly look forward to the dance beat downs in Haiti. There is nothing like DANCING ON THE SOIL! Period. Throughout the retreat, I was in serious student mode, soaking it all in, even learning from two instructors whom I've never studied with. So... imagine my surprise when I was asked to teach! Honestly, I was scared, nervous, and definitely hesitant. I didn't want to switch gears. I asked Ferlo, "What can I possibly teach THEM? They already KNOW Haitian dance?" With a stern, but loving tone, Ferlo gave me some choice words, but I know it was all love! He reminded me that I have plenty to offer. I've studied my craft. For years. I've invested time and money. It was time for me to step up, and get out of my comfort zone. In that very moment, I thought about the previous year, when RTL traveled to Haiti to perform. I had to flip the script from Dancer in Haiti, to Artistic Director in Haiti. A first. This time wasn't any different. Dancer in Haiti, to Teacher in Haiti. A first. I had to come HARD!
I am incredibly grateful for the opportunity. I was well received and felt so much love from the students. Thank you, Dieufel Lamisere and Jean-Sebastien Duvilaire for the encouragement. To the folks from the Bay, I was comforted in knowing you were there to witness my growth.
SAVE THE DATES!
Vinn Pran Baget Dance & Drum Retreat
July 2-13, 2016 | Jacmel, Haiti
www.dancetosavelives.com
I went to Vinn Pran Baget Dance and Drum Retreat last year to spend quality time in Jacmel, train with awesome dance teachers, and to support one of my teachers, Dieufel "Ferlo" Lamisere, who presented the event.
I am first and foremost a student of Haitian dance. I LOVE learning, growing, and eagerly look forward to the dance beat downs in Haiti. There is nothing like DANCING ON THE SOIL! Period. Throughout the retreat, I was in serious student mode, soaking it all in, even learning from two instructors whom I've never studied with. So... imagine my surprise when I was asked to teach! Honestly, I was scared, nervous, and definitely hesitant. I didn't want to switch gears. I asked Ferlo, "What can I possibly teach THEM? They already KNOW Haitian dance?" With a stern, but loving tone, Ferlo gave me some choice words, but I know it was all love! He reminded me that I have plenty to offer. I've studied my craft. For years. I've invested time and money. It was time for me to step up, and get out of my comfort zone. In that very moment, I thought about the previous year, when RTL traveled to Haiti to perform. I had to flip the script from Dancer in Haiti, to Artistic Director in Haiti. A first. This time wasn't any different. Dancer in Haiti, to Teacher in Haiti. A first. I had to come HARD!
I am incredibly grateful for the opportunity. I was well received and felt so much love from the students. Thank you, Dieufel Lamisere and Jean-Sebastien Duvilaire for the encouragement. To the folks from the Bay, I was comforted in knowing you were there to witness my growth.
SAVE THE DATES!
Vinn Pran Baget Dance & Drum Retreat
July 2-13, 2016 | Jacmel, Haiti
www.dancetosavelives.com
July 13, 2015
It's the thick of night in Jacmel, Haiti. 1am. Pitch black. Mosquitoes kickin my tail. Night creatures buzzing about. Can't sleep. I hear a continuous thunderous pounding. A steady rhythm with sticks. A chorus of singers in unison. The sounds are faint, but I know what's taking place. It's a Vodou ceremony in full swing. It feels so close, but yet so far. The drums are calling...
It's the thick of night in Jacmel, Haiti. 1am. Pitch black. Mosquitoes kickin my tail. Night creatures buzzing about. Can't sleep. I hear a continuous thunderous pounding. A steady rhythm with sticks. A chorus of singers in unison. The sounds are faint, but I know what's taking place. It's a Vodou ceremony in full swing. It feels so close, but yet so far. The drums are calling...
Manbo Maude and Sosyete Nago
Portsha with Manbo Maude at her temple. A beautiful woman with a great spirit
Viv Vodou! Viv Lwa! July, 2015, I had the pleasure of visiting Manbo Maude & Sosyete Nago, while in Jacmel. Manbo Maude opened her temple and welcomed the dancers and drummers participating in Vinn Pran Baget. We were transported from the dance studio into the temple. As you can see and feel, a good time was had by all! Give thanks to you, Manbo Maude for being a gracious and accommodating host, while sharing your love for the Spirits with us. You are a blessing and are deeply appreciated for all that you do! Ayibobo!
Onè, Respè!
(Honor, Respect!)
 Photo Credit: Bethanie Hines
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Here's to honoring the celebrated dance teachers and drummers, both Haitian & American (living and in the spirit world), the true folklorists, who have opened doors for me, and paved the way for each generation of artists, to flourish in the advancement of Haitian Folkloric Dance & Musical Traditions. Each of you have played a significant role in MY life and have shaped the person I am today. A grand salute to you, your craft, and your legacy. I will continue to present the best of folkloric dance, music, and ritual theater, which carries in it the stories, struggles, and spirit of the first free Black Republic in the world. To my "Dance Mothers" in the Spirit realm: Manbo Katherine Dunham and Lavinia Williams - the amount of love, admiration and immense gratitude I have for you makes my heart burst! As Americans, specifically Black women, your incredible legacy lives within me. Your love and dedication to Haiti is remarkable. Ayiti Cherie! I too love her so! You inspire me to create. You motivate me to continue the dance journey. Ayibobo e Mesi anpil! |
SPECIAL THANKS:
Daniel Brav Brevil
Mesi anpil pou tout sa ou fe! Anpil lanmou e respe!
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I've heard folks call us the "Dynamic Duo." I chuckle at that, but also acknowledge that it is a blessing to have an artistic partner who continues to teach and inspire me as a dancer, who continues to push me both artistically and spiritually, who's steeped in the culture, lives and breathes Vodou, and continues to share the beauty of your beloved Ayiti Cherie. Hands down, you are one of the most talented and gifted drummers from Haiti. Your knowledge, wealth of information, and leadership has enhanced my life, our RTL dance family, and our beloved dance community. It is a blessing to dance to your drum. Since that day in '03, when you picked me up from the airport in Haiti, our journey began. Through the peaks and valleys, we both know that Spirit is the ultimate connection that ties us to continue to do the work we are meant to do - together.
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"Rhythm is the soul of life.
The whole universe revolves in rhythm.
Every thing and every human action revolves in rhythm."
~Babatunde Olatunji
Photo Credit: Tumani Onabiyi
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Photo Credit: Akiko Photography
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Photo Credit: Tumani Onabiyi
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Let me tell you how the Drum gives me life. It's my savior, for real. There are times when my body is so exhausted (10 classes a week, company rehearsal/management, grant deadlines, website construction, administrative duties, projects, spiritual obligations, AND self care) but I know I must show up to teach a class, and give it my all. It's not a hobby. It's my job. My duty. When I don't think I have anything left to give, the slap of the skin awakens all of my senses, which bring forth an explosive amount of energy that speaks throughout every cell, muscle and bone in my tired body. Giving thanks to the beauty and power of the drum for the consistent feeding of my soul, for awakening my body, for the power of faith, and the willingness to get through it all. Ayibobo!
Photo Credit: Bethanie Hines
Roots of Haiti (Volume 1)
Got some music for your listening pleasure. Roots of Haiti, Volumes 1-4 is now on Spotify! I was searching for tracks in the World Music category, and Roots of Haiti popped up! Hmmmmm. Wasn't looking for Vodou music, but... I remember a time when you could NOT find Haitian (Vodou) music on line! My first introduction to Vodou music (outside of dance class and ceremony) was way back in 1994, with Roots of Haiti on a TAPE! LOL! Thank you, Iyayo! I studied those tapes faithfully, everyday, for years - until they could no longer play. Roots of Haiti, Volumes 1-4 was recorded and released in 1978 by Mini Records. Classic, timeless, and authentic singing and drumming. I'm happy this collection of music is readily available to the masses!
Enjoy and happy listening!
Veve for Ogou Ashade
Awoshe Nago, Papa OGOU!
Photo Credit: Chaplin Street Studio
🎤🎶 🎼🎧 It's me, Feray, not just today, they call my name. It's me, Ogou Feray, not just today, they call my name. Since Ancient times, they call my name. Since Ancient times, they call my name. It's me, Oh Feray Oh! And I'm still dangerous. 🎤🎧🎼🎵🎶
Basically, Ogou has ALWAYS been here. Our ancestors have been calling his name since Ancient times. He is our warrior, general and protector. He is with us today, and everyday. I am calling on him now more than ever to help my people. BLACK PEOPLE. To defend and protect us from the injustice, senseless murders, police brutality and blatant racism that is still prevalent today. BLACK LIVES MATTER!
Raise the machetes!
Photo Credit: Rara Tou Limen
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Photo Credit: Chaplin Street Studio
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Photo Credit: Chaplin Street Studio
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I'm grateful for Spirit. I'm grateful that I am being used as a vessel to educate, heal, and empower individuals through Dance. I'm grateful for the pulsating heartbeat of the Drum, as the infectious rhythms of Haiti are a part of my daily life. In deep gratitude and humbled by the experience.
The journey continues...AYIBOBO!
