Rara Tou Limen Haitian Dance Company
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Haiti to NOLA: vodou to voodoo

8/23/2018

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"Vodou is more than a religion, it's a philosophy of life.
Vodou means SPIRIT...
Nothing can erase or replace the spirit"

~Mimerose Beaubrun

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CEREMONY READY!

Vodou Voyage: Destination NOLA.
New Orleans and Haiti have historical and cultural ties that are connected by
geography, architecture, traditions and spirit.

Spirit lead our group to a Manje Yanm ceremony - a two day service to Lwa, that honors the harvest of the yams. Ayibobo to Houngan Damas 'Fanfan' Louis for the personal invitation.
We were grateful to attend, sing, dance and worship with the Haitian Vodou community in NOLA. 


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In the French Quarter there are a number of quaint shops.
In particular, tons of VOODOO shops catering to the wide-eyed, uninformed, information seeking tourists.
I saw TONS of Lwa + Orisha mixtures in the name of “Voodoo.” Dusty, commercialized altars, with Voodoo dolls, Mardi Gras beads, crosses, skulls and bones, void of energy and authenticity. It felt plastic and sterile.
I saw a basic white bottle with a Red Veve drawn on front (with a marker) talkin ‘bout it’s a libation bottle for Ezili Freda. This was priced at $50! I was beside myself with laughter, cause it was comical.
This critique is necessary due to the tragic way Haitian Vodou is being distorted and exploited by folks with questionable/lack of credentials, who's aim is solely for profit.


 I’m sure these shops serve a purpose for some folks, but I can’t get past the lack of respect for
SACRED AFRICAN TRADITIONS
intertwined with cultural appropriation for a quick buck. 


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I’m sensitive.
Protective.
I’m in NOLA fresh from Haiti.
I’m fresh with the energy, spirit and smell of the country.



Still fresh from witnessing Lwa present at Fets: saluting + receiving messages directly from Spirit.
Drum rhythms, chants and prayers STILL pulsating throughout my body.
Eyes wide from witnessing and creating ritual objects + constructing beautiful tables for Lwa, made with love and care by initiated hands.
Loved up, prayed up, and cared for by my Sosyete - Ogou's house. Community building.
A Lakou rooted in RITUAL.
 
Living.
Breathing.
Cooking.
Dancing.
Singing.
Praying.

Haitian's  honoring Spirits - DAILY, cause it’s a WAY OF LIFE!

This is the VODOU that I know.
The Vodou I was called to serve.

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Antre Kanzo
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La Plas
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Ayizan
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Trase Veve
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Mare Paket
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Soti Kanzo
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Danbala Salute
Spiritual Devotees, Seekers, and Inquisitive Folks:

Haitian Vodou is NOT Hoodoo, New Orleans Voodoo, Voodoo/Orisha Combination, nor is it Marie Laveau worship.

It is a complex system of rules, rites, rituals, prayers, gestures, langaj, obligations and SECRETS that will never be readily accessible in a book, Youtube, Instagram or Facebook. It is my hope that folks use discernment when entering and purchasing from these toy stores.
They do not have our best interests and certainly do not represent what we need to serve our African Spirits. 

Sosyete Nago | Photo Credit:
Alex Batagi/Bonkira Bon Ougan
Jacmel, Haiti (2018)

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June 30th, 2018

6/30/2018

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🌿 Meditation: You always have the opportunity to let go of something
and let newness in in order to rebirth Yourself" 🌿

I’m surrounded, covered, protected and guided by Male Spirits and Male Warrior Guides. They are strong, courageous, heated, hot tempered, machete swinging, loud and yelling, all shades of RED, Fire, cigar smokin, high kickin, raffia wearing folks.

One of the things Vodou has taught me,
and still continues to teach is BALANCE.

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Scales | Hotel Cyvadier, Jacmel, Haiti
Balancing energy, life, ritual, family, relationships, time & self. Those Male Warrior Spirits were so prevalent, the Female Spirits took a back seat and guided from afar. I needed softness. I needed to balance spiritually and feel the energies of the Divine Feminine. Divine Forces. Mothers. Healers. I create my own reality. I create and choose how I live my life.

I chose to create Dancing Spirits: Female Lwa Embodied through Movement, Song, Writing & Ritual out of the necessity to tap in and CONNECT with the female spirits in Haitian Vodou, the tradition I am called to serve. I NEEDED this medicine. This Wellness + Healing series wasn’t only intended for my benefit, but for my community as well. We need safe, supportive, non-judgmental spaces to heal. As I reflect on the 3 previous workshops (La Sirene, Ezili Freda & Ezili Danto), I am moved to tears with the level of trust, transparency, vulnerability, compassion, commitment, love, respect and GROWTH from each participant. Internal work is necessary within these African Spiritual Traditions that have called us.

WE ARE DOING THE WORK!
Healing daily.
Connecting.
HONORING the Spirit within.

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veve | ayizan ak danbala | sosyete nago - jacmel, haiti


"Racine" - ROOTS: reNEWal & reBIRTH!
What a fantastic healing session with these beautiful beings.
Out with the OLD.
Let it go.
RELEASE!
Make way for the NEW...because we all deserve that goodness.

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We went IN.
Ritual.
Prayers.
Salutes.
Tears.
Testimonies.
Our journeys are deep... thick.

We are shedding old fears, doubts, habits, relationships, people, and things that no longer serve us. What better way to renew and refresh spirit?! A cleaning bath. Participants created their own cleansing bath, complete with moving prayers and intentions. We danced and cleansed with the royal palms, sacred to Ayizan, healer, protector and
First Manbo in Haitian Vodou. Divine Feminine.
Keeper of Ancestral Knowledge and Keeper of Secrets.
Healer. Nurturer. Priestess.
We all came together to do this internal work. Collectively. What a joy to witness.
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The timing was Divine as I enter this next phase of my spiritual journey.
My Rebirth.
My ReNEWal.
This is my offering.
Humbly given with a pure heart.
Ayibobo, Manbo Ayizan!
Ready, Set, Goooo!
The journey continues...
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ayizan | sosyete nago
ayizan | sosyete nago
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salye Manman

5/19/2018

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Supreme Gratitude to our MOTHERS!

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• meditation:
“you were put on this earth to achieve your greatest self, to live out your purpose,
and do it courageously.” •

Facilitated by Portsha T. Jefferson, Artistic Director, Dancer, Choreographer and Vodou Practitioner, Dancing Spirits: Female Lwa Embodied Through Movement, Song, Writing & Ritual: “Salye Manman”, participants honored Ezili Danto while celebrating:

Womanhood.
Motherhood.
Self empowerment.
Strength.

VICTORY!


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We all have a story to tell... and stories were told!
Hailing up our mama’s, grandmama’s, aunties, and all of the strong, courageous women who raised us, shaped us, nurtured us...fought for US!

We called their names.
Cried in remembrance.
Hugged one another tight.



We discussed how we honor and empower ourselves within the daily demands and how can one develop strength in oneself and courage. Participants learned a Petwo classic, “Twa Fey”, cleansed with fey, learned about Ezili Danto’s pivotal role at Ceremony Bwa Kayiman, and finally moved and grooved to the hot and fiery Petwo rhythms - all in the name of our Mothers.
Give thanks to everyone in attendance, especially my Rara Tou Limen family.
It was a beautiful evening. Thank you for trusting this process as I continue to grow, learn and develop.
BILOLO!
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“Portsha’s work is healing and restorative. Through ritual, teaching, song, meditation and dance Portsha’s work opens the road to an aligning of our emotional, mental and physical bodies with spirit and breath to heal and revitalize, to welcome Ancestors home.

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Portsha’s deep, true connection with Lwa and her willingness to share her wisdom nurtures our deeper understanding and opens the road to a greater one-ness with community. Love is at the center of this work; it transforms the work from teaching to ritual to healing root magic. Listening to the rise and fall of Portsha’s beautiful voice, I knew the protection of Ezili Danto’s exquisite embrace. Salye, Manman!”

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loving YOU ((lanmou))

4/30/2018

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meditation | loving YOU ((lanmou))

I am empowered to express myself, to appreciate myself and to accept myself unconditionally.
Self-love secures me and heals any discord or limited thinking.
What has gone before now is dissolved and not a part of today.
Now is my time and my turn to successfully demonstrate a greater abundance of love, health, happiness and wealth.

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I facilitated the second session of Dancing Spirits: Female Lwa in Haitian Vodou, Saturday evening, in honor of Metres Ezili Freda Dahomey. You know when a workshop is scheduled 7-9pm and participants are so engrossed in sharing, affirming, honoring the love within and simply BEING until 11pm, it's something special!
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We honored the Divine Feminine within.

We revealed our hurt, pain, our sacrifices, our desire to love, be loved and give love.
In abundance.
Self-love is FIRST.
No candles, magic, a petition to Freda for her to bring a man/woman into your life, perfume, offerings, Veves, etc. will simply grant a request.
What work are YOU doing as an individual to receive this love?
What are your self-care rituals?
How do you liberate your Mind. Body. Spirit?
We must shower ourselves with love, daily, unapologetically, to attract what we are reflecting from within.
It was a powerful evening that affirmed our devotion to SELF, our needs, wants and desires.
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Self LOVE + Care | sweet bath preparation
Spiritual baths are important in Haitian Vodou

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Together, we created a bath to bring in sweet, juicy goodness!
Each bath was personal as each participant brought pink/white flowers of choice, perfume, and a self love affirmation to meditate on while preparing the bath.
A special milky concoction that smelled divine, prepared my myself was added to the mixture.

This is Vodou!


Individual work
Collective building
Healing
Loving
Honoring
Growing!

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anba dlo continued...manifesting

3/26/2018

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"Do not lose hold of your dreams or aspirations.
For if you do, you may still exist but you have ceased to live."

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When Spirit calls for us to go Anba Dlo - Beneath the Waters, to reflect, tap into our creative self, manifest thoughts, dreams and desires, heal, transform, cleanse + refresh with sweet waters: LISTEN!
I surrendered.
Went under.
2 Days.
Solitude can be a lonely space, but it is necessary for reflection and growth.
I listened.
I looked in the mirror.
Cried... the ugly cry.
Wrote a list.
Personal Development.
Creative endeavors.
Travel.
It became LONG...an entire page!
What a blessing.
As the list grew, so did my strength and motivation.

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As a result...
Dancing Spirits: Female Lwa Embodied through Movement, Song, Writing & Ritual Series was birthed.
This is an intimate workshop where participants will have the opportunity to retreat inward, channel, heal, learn, write, affirm, inquire about Lwa + Vodou, sing and of course DANCE!


At that time in my life, my treasures were at the bottom of the sea, but La Sirene taught me to:

Go Under.
Get Those Spiritual Secrets.
Come Back Up.
Manifest Those Projects & Receive The Riches!
NOW!
I give thanks for the lessons.
I have work to do.
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I give thanks for the beautiful group of women who showed up to the first session honoring La Sirene.
They didn't know what to expect. Truthfully, I too didn't know: I went with the flow. We flowed. Together. In the spirit of La Sirene. What is true is that Haitian Vodou is rich, healing and serves a purpose. It is a privilege to move from the dance studio to create sacred space for individuals to learn, honor the traditions and most importantly honor SELF. Thank you for trusting this process as my spiritual journey continues. Ayibobo.
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Testimonies!

"Giving thanks to the Creator for sending divine beings in my life who exude so much love, light, strength and courage. It felt so good being in a safe sacred space to just BE and Feel. This spiritual workshop was so necessary on so many levels!! I love what you’re doing. Your authenticity, love and creativity really shows!! I had a blissful experience learning new moves, song, altar etiquette and cleansing!! Ayibobo!"
"Thank you Portsha for being committed to the work and your path and for sharing your journey; holding space for us as women to tap in, to reflect, to explore, to heal, to manifest, to transform, to empower, to honor our ancestors and SPIRIT. To uplift Haiti through song and dance. There are many things I could say but my heart and spirit is still full."
"Thank you for listening and loving spirit as you continue to share and inspire others through your destiny/passion. Your workshop tonight was transformative. Bless you!"
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Last month I attended Rara Tou Limen's first workshop dedicated to honoring the Female Lwa in Haitian Vodoun. We danced, sang, and gathered with the energy of La Sirene, explored her watery realms, and the abundance of riches that comes from diving deep and doing the hard work that is only yours to do.

The workshop setting allowed the time for lecture and discussion, as well as sharing of experiences, and discovering what brought each of us to the space that evening. It was revealed that we all had in common a deep respect for the culture, our ancestors both blood and given, and the spirits, and a sincere desire to learn more and become more connected to our roots.
We moved with wisdom and humility, and the knowledge that through the dance and the drum come healing. The space offered the opportunity to ask questions and receive the answers.


I thank Portsha, a powerful and beautiful dancer, a community leader, dance company director, choreographer, creator, artist, educator, sister, and friend, a priestess, and a devoted student of the Vodoun tradition that has called to her so strongly, for opening this space and for her generous offering to share her experience in ways that uplift and empower us all to do our work and our own healing. This is serious work! ...and again and again, she finds ways to multiply the blessings, and does it with grace, ease, authenticity, and the seriousness that we need from our leaders.
I know that every workshop will be different, because that's how it is working with nature and spirit!

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love FULLY

2/21/2018

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• midnight meditation: heart mending ((STILL)) •

I love hard.
I love deep.
I love fully.
Always have.
Is there such a thing as loving someone too much?
Too fast?
My shortest relationship ever was the closest spiritual/love connection I've ever felt with another human being. It was amazing.
It was electric.
Wide open, wanting and READY to build and create with a life partner, my heart was vibrating higher than ever, and it felt so right!
Safe.
Comfortable.
Home.
That special connection when you laugh together (which was often), you gotta clutch your stomach, that type of love where you gotta repeatedly thank the Universe & the Spirits for listening and answering your prayers.
I questioned myself and even asked him "Are we moving too fast?"

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I was taught to love unconditionally -  in every interaction, come from a place of love.
My mother exudes love. As a child, teen, young adult and even into my adulthood, I've ALWAYS heard " I love you", always felt the tightest hugs, gentle strokes and received the sweetest kisses from her.
My dance students know they cannot come into my class without giving me a hug.
Spreading love & showing love is how I choose to move through life and in my relationships.

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The short lived spiritual love connection ended abruptly.
My love was disposed of in a three minute phone call.
Heart vibration ceased.
Heart center bruised.
Thoughts clouded in confusion.
Pain FULL.
I questioned myself and my love for this person.
"Why did I fall so hard?"
Then I got mad.
Hella mad at myself.
I told myself I shouldn't have allowed myself to love this person after three months, because it wouldn't be so hard to let go and move on.
Not realistic.
I love the way I know how to love: FULLY.
This message + meditation is so timely and necessary for my healing.
My healing (growth) requires transparency:
Honoring, Feeling and Releasing, through thoughts, words, writing and actions.
Despite the heartbreak and hard lesson, I still continue to choose love.
Today.
Tomorrow.
And the day after that.
I won't wallow in regret. 


#honestadulthood #open #transparency #ichooselove #healing #love #lovefully #lovecompletely #wordtherapy

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anba dlo

12/3/2017

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A N B A • D L O

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Lots of new projects on the horizon for 2018!
RTL White Party.
Cuba + Haitian Vodou Photo Exhibit.
RTL Documentary Premier.
Dance Workshops.
Performances.
Travel.
T-Shirt Creations.
RTL Vodou Calendar.
Artistic Collaborations.
and... as ALWAYS: Professional Development + Personal Growth.
Ready for 2017 to come to a close, to make way for the NEW! 


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There are times when we need to go "Anba Dlo" - beneath the water.

To go under and sit with our dreams, thoughts, goals and aspirations. To visualize, taste and smell what we want, need and desire. For the betterment of my life (and my sanity) and all the unexpected things that life continues to throw at me, I recently made a choice to go under.
I went deep.
Solitude can be a lonely space, but it is necessary for reflection and growth.
Beautiful things take place when you are faced with YOU... Mirrored reflections...

I made a list of the aforementioned, and MAAAAN! My list became an entire page!
What a blessing.
I have things to do.
People to meet and places to see.
Writing and actually SEEING my list gave me so much strength and motivation.

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My treasures are currently at the bottom of the sea, but La Sirene is teaching me to:

Go Under.
Get Those Spiritual Secrets.
Come Back Up.
Manifest Those Projects & Receive The Riches!


FOCUS! Its all YOURS! It's about to be ON!
I'm ready for it + Deserving of it.
Dream It.
Create It.
LIVE IT!
Is my coined manta that I speak into the Universe everyday.
Giving thanks to my Lwa Travay, La Sirene for the lessons and for recently showing up for me in a big way.
I SEE You. Feel you and Honor you today.
Ayibobo, Manbo!

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Photo Credit: Bethanie Hines

"Do not lose hold of your dreams or aspirations.
For if you do, you may still exist but you have ceased to live."

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Photo Credit: Bethanie Hines
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my soul has witnessed...

8/18/2017

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Possession.
Mounted.
Chwal pou Lwa.
Gettin' that Holy Spirit + Holy Ghost.
Speaking in Tongues.
Touched.
Fallin' Out.
Rocked.
...and all the countless ways we submit to let Spirit use us.

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This morning I watched a YouTube video of a Primitive Baptist church service. Live instrumentation wasn't needed, because the deep hums and wails, piercing shouts, foot stomping and hand claps WERE the music. Arms stretched wide, hearts open, eyes closed, fans waving, with full reverence, and down home girth, the congregation sang "My Soul Is A Witness For My Lord."
Moved me to tears.
Triggered vivid memories of my time as a youngster in the church.
It was Familiar.
Southern.
Black.
Holy.
Ancestral.
That repetitive Call & Response heightened the space and intensified the energy.
They were conjuring Spirit... and Spirit(s) came.

Black folks are embracing African Traditions at a rapid rate, but there are plenty who are adamant about dismissing these faiths and frown upon possession, which doesn't necessarily equate to what they are used to seeing - especially if it doesn't take place in a "church." Although in a church, the possessions that took place in this particular service could have easily been in a Vodou temple, which is a Vodouisants church! I only wish some of my folks would stop with that "devil worship" "satanic" nonsense, and open their eyes to SEE Spirit for what it is and understand: Possession is UNIVERSAL!
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Photo Credit: KM Daniels
The photo above was taken at Sosyete Nago's Fet for Danbala. Met Agwe Tawoyo came through my body. Have I always been comfortable with being mounted? No. Truthfully, I'm STILL adjusting to it. It's a vulnerable place, especially at a public ceremony, where all eyes are on that Spirit. What I have come to terms with is: I have been CHOSEN by Spirit. It's been a beautiful experience to see (after the fact) Spirits manifest + dance in my body. I am honored to be a vessel for Lwa and my Egun, for they need to visit this realm to guide, serve and protect. What a blessing to be a physical conduit for Spirit.
AYIBOBO!
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Lakou Souvenance | Gonaives, Haiti
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Jacmel on my mind...

7/4/2017

1 Comment

 
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photo credit: bethanie hines
This photo truly reflects my current mood.
Introspective.
Deep reflections.
Soul searching.
This time last year, I was in Jacmel, Haiti. I love everything about Jacmel. It's my to-go-to place to unwind when the hustle and bustle of Port-au-Prince gets too much. 


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on the grounds at vinn pran baget | photo credit: guy de chalus
Last years visit was deep!

I had an invitation from one of my teachers, Dieufel Lamisere.to teach Haitian Folkloric dance to his amazing group of dancers, Haiti Dance Co. I participated in the most serene, moving dance video on the beach, honoring La Sirene and Met Agwe, was interviewed by Raw Travel, an adventure travel TV series (which is currently being aired!), spent time at my spiritual home Sosyete Nago, attended ceremonies, spoke to and greeted Lwa, poured libations in Gede's room, chilled on the beach, ate fresh lobster for days, drank way too many rum punches (I don't even drink, but in Haiti...) rode motos for days, to-and-fro, breathing in the salty air from the coast, with the wind whipping through my fresh braids...Paradise.

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Portsha teaching at Vinn Pran Baget | July 4, 2016
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Ayibobo to the Manbo's and Houngan for the beautiful singing!
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I'm clear that you can't have joy without struggle.

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B A L A N C E | Hotel Cyvadier
Accepting flaws, behavioral patterns, and taking responsibility for hurting someone who's presence was near, was necessary and unavoidable.
Back in the States, Alton Sterling was murdered in cold blood by a police officer. While in Haiti, I watched in horror, Philando Castile's dying moments from a viral Facebook Live video, after being shot by police. I received devastating news from someone I loved, that rocked my world and shook me to my core...In a fucking email. Heart shattered in a million pieces. My spirit was heavy and burdened with grief. The pain was raw and deep. It was a cold, dreary, rainy day at Hotel Cyvadier. Haiti too, was crying along with me.
I left Jacmel tired, defeated, angry, broken, hurt and confused. A first. 
A year later, so much has changed. I'm in a better place. Struggles don't magically disappear. Still doing the hard work and honoring the lessons + my life's journey and what is meant to be. For me. A year later, still processing it all...
Jacmel on my mind.


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the vodou temple | Sosyete Nago

reflection: journal entry
July 2016 | jacmel, haiti

I'm in my feelings today. Shit is real. Black men and black boys are being murdered right in front of our eyes. Where is the accountability? I'm ready to burn shit down for my people! 
In this video I'm at a Petwo ceremony at my spiritual home. There is NOTHING light about it. Fire. Machetes. Magic. Aggressive Spirits. The collective energy that's conjured within the temple is real and powerful. This fiery Petwo energy is what I need today. We've got to fight this war that's causing trauma and fear amongst us. We MUST create our own power! We got to keep calling on our ancestors and lighting the fire to elevate the spirits! BILOLO! to all the Petwo spirits today and everyday. 

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Carnaval, Back Bone & Community, An interview with a Carnaval Judge

5/30/2017

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Interview with Portsha T. Jefferson, Founder/Artistic Director of Rara Tou Limen (RTL), Haitian Dance & Drum Performing Co.
 
Yuri Kasinsky
 Carnaval Questions 2015-2017

Question 1: This past weekend [2015] you were picked for the 1st time to be a judge for the King and Queen Competition of  San Francisco Carnaval.  How were you picked? 
Why do you think they picked you?


Stella asked if I would be interested in judging the King and Queen competition last year. Unfortunately, I was going to be out of the country, so I had to decline. This year I was approached again to judge.  I was available, and honored to be a part of such an esteemed panel of judges. I don't consider myself an authority or elder in the dance community, but I'd like to think that my consistent work ethic, my work with Rara Tou Limen and the artistic offerings that I've presented to the dance community were all factors in my selection as a judge.

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photo credit: Robert Werner | Carnaval SF King & Queen Competition 2015
Question  2: You have been a dancer, a choreographer, hosted fundraisers, even done carnival in other countries, what keeps you coming  back to San Francisco’s Carnaval?
 
Initially, Rara Tou Limen was conceived in 2004 to represent Haiti in San Francisco’s Carnaval. In previous years, there had been Haitian representation, but what followed was a huge absence for many years.  I wanted to change that.  Haitian dance and musical traditions have been the back bone of the Bay Area dance community for years. The culture is rich, powerful and deeply rooted in spirituality.  As a student and teacher of Haitian dance, I am compelled to make Haiti shine in full splendor in San Francisco Carnaval.
 
I return because I love seeing the vision come to life! It's a wonderful feeling to see the entire presentation with full costume, dancing, singing and drumming.  The spirit of Haiti is with us as we parade through the Mission.  I return because each year RTL's dance community is fortified and renewed with beautiful energy from our dancers. My mission is to create community, and as a result, our Carnaval collective is stronger and tighter each year. SF Carnaval was RTL Kanaval Group 2005’s first platform.  Our debut!  From our humble beginning in 2005 to participating in this year's parade in 2015, it is an honor to represent Ayiti!

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photo credit: Yuri Kasinsky | Carnaval SF 2017
Question 3: You seem to embrace Carnaval like an old friend who comes to visit once a year.  Aside from perfecting choreography, music, planning costumes and rehearsing what other things do you do with your carnaval crew?
 
Creating a meaningful theme is essential to RTL's Carnaval presentation. In addition to the theme, each year, our contingent is governed by a particular Lwa (Vodou spirit) for guidance, strength and protection.  Participants are encouraged to go beyond the costumes and choreography, and research the historical context of our theme and also learn more about the presiding Spirit and how that Spirit's energy can be applied to our presentation, most importantly, the participant’s life.  Rara groups typically use Carnaval as a platform to address political issues.  This year [2015], we are discussing the strained relationship between Haiti and the Dominican Republic and will tie in slogans, props and chants to reflect our disposition on that subject matter.  Lastly, we have craft parties and social gatherings outside of rehearsal. The craft party is an opportunity for dancers to put their own "Ase" or energy into their costume and head dress and a great way for us to break bread, connect and gel as a contingent. 
 

Question 4: What is one thing you've experienced at other carnivals that you would like to see here?
 
I had the pleasure of dancing in carnival in Haiti in 2008, with one of my teachers, Ramses Pierre.  Port-au- Prince was transformed into one big party!  It was beautiful to see various communities come together to celebrate.  I was also able to see how Haiti's government assisted in making sure each group was financially secure.  Ramses' group was compensated nicely, which allowed for costume construction and a monetary offering for dancers and musicians.  Not only was this my first time dancing in Carnaval in Haiti but, I was financially compensated for my participation, totally unexpected. 
 
Participating in SF Carnaval has been a rewarding experience, however I would like to see more financial support from the city itself.  Expenses usually outweigh the grand budget for each contingent.  As this is a yearly event, why not allocate funds for the Carnaval organization to distribute to participating contingents?  This would ease the financial burden for many, considering many groups are small grass roots organizations, preserving Art & Culture.  SF Carnaval is a unique array of different cultures proudly representing the flavors and colors of The Mission, a historical section of SF, steeped in dance, music, art, poetry and political activism.  The spirit of Carnaval brings joy, excitement, love and unity to San Francisco.  It's vital that these cultures and traditions are kept alive. 
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Kanaval in Port-au-Prince, Haiti | 2008
Question 5: This year you were a judge instead of leading a Carnaval group in the street parade. What did you learn from this different perspective?  What was your experience of Carnaval in 2017? ...& will you bring back a Haiti contingent next year?
 

I had a blast at SF Carnaval!  What an honor to be asked to judge and sit amongst four powerful shakers and movers in the arts. As a Carnaval judge, I witnessed beauty, divine artistry, dedication and commitment in preserving culture and traditions.  Aside from the competitive aspect of a judging process the overall theme is quite apparent - Community!  Carnaval preparation is hard work.  It requires time, money and sacrifice.  It's a true labor of love.  Carnaval SF provides a platform for the community to come together to showcase cultural traditions.  I gained a deeper appreciation for our Bay Area dance and drum community and the amount of pride, spirit and enthusiasm each contingent displayed.  Next year SF Carnaval will celebrate its 40th Anniversary.  Rara Tou Limen has had a two year break.  I think it's time for a Haitian contingent to return in full splendor!
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photo credit: Yuri Kasinsky | Carnaval SF 2012
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photo credit: Martha Estrella | Carnaval SF Judges 2017 l to r: Portsha T. Jefferson, Linda Larissa Gamino, Laura Yanow, Patricia Thumas
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    Ashade

    Dancer. Choreographer. Artistic Director. Singer, Healer. Messenger. Educator. Vodouyizan. Community Servant.

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